Heroism in Stanley Kubrick Films

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his paper will examine the topic of heroism in Stanley Kubrick’s films Paths Of Glory and Full Metal Jacket by comparing the visual styles and narrative structures and offer insight into Kubrick’s views on war. Paths Of Glory is a 1957 film based on the First World War focusing on the political struggles of the French army as they battle the German army. It is a study of the bravery and cowardice that exists within the ranks of the army, as well as the results of extreme amounts of fear. The focus is primarily in the barracks and the court. The plot focuses on a group of soldiers who are charged with cowardice. No man is perfect, but war magnifies qualities such as honour and deceit, and this film illustrates this phenomena in a very clean, proper way. Paths Of Glory does not show actual combat very much, unlike Full Metal Jacket. Full Metal Jacket is a study of what becomes of a soldier at war. Set in the Vietnam War, it begins with a focus on the training of a platoon of U.S. marines and continues to follow the service of Private Joker in his experiences in Vietnam as he goes about his service. Full Metal Jacket is a well paced film that studies the violence of war, portraying the physical as well as the mental dangers in a hyper realistic way. One overarching element that ultimately combines both of these films is their emotional poignancy. Both are highly engaging, yet thoroughly disturbing films. These are two demonstrations against war, revealing the subject in an ironic and undeniably negative light. Full Metal Jacket is a very rough film the whole way through. The pace is slow and slightly stiff, with a sort of boring, droning tone. The training base is extremely bland and lifeless, and the Vietnamese setting has a similar atmosphere. The behaviour of the soldiers is lazy. It is clear throughout that the training camp remade each soldier into
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