Herbert'S Redefining His Love With God Through His Self-Denials And Self Assertions

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Herbert's redefining his love with God through his self-denials and self assertions in «The Collar» and «The Altar» In his religious poems «The Collar» and «The Altar» Herbert denies himself by praising God, by repenting and becoming God's child, not servant. The first poem is written in past tense because this poem is the analysis of something already experienced. The second poem uses mostly present tense because it refers to the present and to wishes for the future. The rebel and repenter with constant doubts, who finally returned to God in the first poem, gives his whole heart to God in the second poem knowing that he cannot praise him enough. Returning to God and accepting the fact that the altar and the sacrifice are his, which means the poet is not the one who praises God, but God does it through Herbert's poems, are the two ways of poet's self-denial. Through those denials Herbert actually asserts himself and redefines his relationship to God. Both the altar and the collar present symbols of priesthood. The word «collar» is a complex pun with several meanings. It can mean a piece of priest's clothing, which Herbert wishes to discard: «I struck the bord, and cry'd, No more; /I will abroad («The Collar», line 1-2). Moreover, it can mean the collar of the slave who has served a demanding lord. But, what Roberts also points out is that, as the word 'colar' was pronounced like 'caller', this can be a calling poem, even an 'election poem' – something mystical that ordinary people can only admire (Roberts). «Altar» can also be a pun if we think of it not as a holy table in the church but as a heart of an repenter. I think that not only in rejecting the collar but also in rejecting the old altar we can see Herbert's constant struggles with the possibility to abandon the life of a priest. However, there are two reasons why he is checking his relationship with

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