Henri Cartier-Bresson Essay

1265 Words6 Pages
Henri Cartier-Bresson By Matthew Hensby Cartier-Bresson was first and foremost a painter. As a child out of school he entered into the Paris studio of Cubist, André Lhote. And it was Lhote’s approach to art that later provided Cartier-Bresson with his widely regarded flare for artistic form and composition. In the manifesto he wrote for the preface of The Decisive Moment he insists on the prime importance of composition: ‘If a photograph is to communication its subject in all its intensity, the relationship of form must be rigorously established. Photography implies the recognition of a rhythm in the world of real things. Composition must be one of our constant preoccupations.’ In 1925, while still at Lhote's studio, Cartier-Bresson began attend at gatherings of Surrealists at the Café La Place Blanche and later said of how he was influenced by Surrealism theories of André Breton. The Surrealist approached photography in the same way that Aragon and Breton approached the street: with a voracious appetite for the unusual. ‘The Surrealist wanders the streets without destination but with a premeditated alertness for the unexpected detail that will release a marvellous and compelling reality just beneath the banal surface.’ Cartier-Bresson grew up artistically aware of these possibilities, but failed to find a way of expressing them in his paintings. In 1930 Cartier-Bresson left Paris for Africa and adventure where he continued to paint, but notably started to make early experiments with photography, although only seven of them survive. It was when he returned to France having suffered from an attack of black water fever that he saw the photograph by the Hungarian photographer Munkacsi, entitled, ‘Three Boys at Lake Tanganyika’. It was this single photograph that Cartier-Bresson credits for his realisation of photography’s potential. He said, ‘The only thing

More about Henri Cartier-Bresson Essay

Open Document