The colors used in the painting are very warm and earthy. The mother is in a beautiful red dress that drapes nicely and has a green head-wrap that cascades along the side of her body to her thigh. The daughter, about 5 or 6 years of age, is wearing a light, flowing white dress. The woman has reddish-brown hair, pale skin, and rosy cheeks. The daughter is just the same, but her big, bluish eyes really accentuate her youthfulness.
The Quinceañera has bridesmaids & wears a glamorous dress with gorgeous jewelry to make herself stand out. This ceremony is a reaffirmation of the baptismal vows made by her parents earlier in her life. There is also a special candle ceremony to thank the people in her life who helped her develop and grow. At the Quinceañera’s party, the Quinceañera and her father do a father/daughter dance. The father takes his daughter’s hand and invited her to share a waltz with him.
To add to the look of youth Dino gave Peggy luscious lips with the slight smile accustomed to the Mona Lisa. With her slender face and youthful body Dino gave Peggy’s Chair the look as if it were alive and listening to every word and understood every thought that her beholders have said and had. Yet it seems as if she is staring into their soul through lifeless eyes. Meanwhile her eyes are full of emotions that her face is unable to convey. Even her body though hidden under a wonderfully flowing wooden dress is slender and beautifully detailed.
It is a beautiful kiwi lime green stone surrounded by shimmering diamonds. The green stone is so clear and smooth it almost looks like a piece of glass. The shimmering diamonds sparkle so clean and transparent they almost look as if I touch them they would feel wet. The rays of sunlight catch the brilliance of the gorgeous antique etching on the side of my ring. The ring is a white color reminding me of my grandmothers antique silver platters.
The true, natural beauty of a Black woman is rarely celebrated. Only when a woman that is of African descent shows a majority of European features, then is this woman’s beauty ever celebrated. The kinky hair or the dark skin tone is not what is praised. Instead she is glorified for the straightness of her tresses, and the lightness of her skin. She is perfect because she can blend in with White beauty.
He had presented this idea to her with a dozen red roses, a box of Godiva Chocolates and airplane tickets. The rooms were booked at the Royal Hawaiian Hotel. She accepted the invitation and looked forward to the beach. Long sandy beaches with palm trees, long evenings of romantic settings, a perspective of Hawaii that was so different from her previous experiences. Landing in Los Angeles they quickly deplaned and took a limousine to the Beverly Wilshire Hotel.
Light imagery is used prominently throughout the novel The Great Gatsby, especially in chapters 5 and 8. The romance between Gatsby and Daisy is a major theme throughout the novel and light is used frequently to display this. When Gatsby’s house “lit up like the world fair” and the light “felt unreal on the shrubbery”, it represents his wealth and how he wants to impress Daisy. Gatsby is also described as an “ecstatic patron of recurrent light” when he is talking to Daisy about the “twinkle bells of sunshine in the room”. Daisy is described as “gleaming like silver” which represents her wealth and she is a part of the “secret society to which she and Tom belonged” which shows how she is ‘above’ everyone.
Life in the 1970’s In the 70’s, The Mcneil Family lived in a three bedroom suburban house in West Covina C,A for about $60. We lived in a nice white house with a really big kitchen, a living room, a dining room, two bathrooms, and 3 bedrooms. There was a father name Michael, a mother name Alyssa, and two twin girls name Isabella (10 years old) and Sophia (10 years old). My mother Alyssa was a famous American model of the 1970’s. My mom was beautiful and gorgeous; she was front cover of the “AVON cosmetics” magazine and she was also front cover of “VOGUE” about beauty and make- up products.
Throughout the story, Chopin describes of Désirée while setting up a scene. For example, when Madame Valmonde, Désirée’s mother, went to visit Désirée and the baby for the first time, Chopin let the reader know that Désirée was wearing “…soft, white muslins…” (1073). Chopin goes on to describe Désirée as having “...long, silky brown hair…” (1074) as well as having gray eyes and fair skin (1075). Désirée is again described wearing a “…thin white garment…” (1076) as she leaves her home at the end of the story. In addition, as Désirée is leaving her husband Armand’s residence the sun’s rays shine upon her and “…brought a golden gleam from its [her hair’s] brown meshes…” (1076).
Like most people who reside from the East Egg, Daisy’s sophisticated nature imitates the exquisite taste of an ordinary rich person with her, “cheerful red-and-white Georgian Colonia mansion” a comfortable mood for Nick Carraway as he illustrates the life of the Buchanans (6). Moreover, the Buchanan family epitomizes the poised white house and the flavorful dresses that both Daisy and Jordan wear, which is what the graceful East Eggers personify as the old rich people who affiliate money from their family. Thus “it [Daisy] increased her value” as being the people who posses the old money, derived from the people living in the past as a social clot (76). The Buchanans prove themselves to be merciless people who are inconsiderate to others due to laziness and prejudice easing their way through life with the money they hold. Nick notes them as “careless people, Tom and Daisy- they smashed up things and creatures and then retreated back into their money or their vast carelessness” (179).