The Odyssey Theme Analysis Once pride crosses a line, it can destroy anyone. Throughout everyone's life, successes help to build a positive pride. In some people, this pride grows and becomes arrogance. An arrogant person makes poor decisions and easily self-destructs. Everyone must learn to control this pride, and if they cannot, learn to accept the consequences.
He risked his existence, his wealth, and his men. Beowulf did not think of the safety of his men, he was not aware of others' lives, but instead focused on his own victory. Through his thoughts, one may see how far Beowulf would go to be successful, and can see his selfish ways. As for modern Christian values, pride is seen as a deadly sin, in which Beowulf seem to be doomed to hell if judged on twenty-first century ethics. Excessive pride is frowned upon as for the sinner only sees himself and leaves no room for God.
However, whereas Victor’s hatred for the monster and relentless will to kill it drives him to his death, Walton ultimately pulls back from his treacherous mission having learned from Victor’s example, how destructive the thirst for knowledge can be. Also, in the novel, Walton highlights the fact that whilst success is great, “while glowing with enthusiasm of success” (7) if you have no friends it doesn’t matter because there is nobody to enjoy your accomplishments with. As a result Walton
| * Very self- absorbed * Believes pursuit of pleasure is the most important thing in life * Helps other solely to make himself feel better * Indifferent to moral consequence * Nothing is entirely good or entirely evil * Recognizes he is disgusting * Accepts that he cannot force society to conform to his desires | Svidrigailov comes closest to living Raskolnikov’s “extraordinary man” philosophy. Svidrigailov is an important character in Crime and Punishment because his decisions and lifestyle portray the punishment and fate of men who adhere to the “extraordinary man” theory. There comes a point in the novel when both Raskolnikov and Svidrigailov feel a sense of hopelessness and listlessness for their beliefs and actions. Raskonikov, however, is redeemed by his love for Sonya and the love his friends and family. He experiences humility.
He blames Charlie as the one who caused him to lose his boxing career and he also blames himself for his lack of bravery to act according to his own will. Despite all these, with the support and guidance of Father Barry and Edie, and finally the death of Charlie, Terry is awakened and is confident enough to fight like a contender in accordance to his conscience. His actions no longer depend on others and he finally wins the respect of the other longshoremen. Kazan clearly shows that Terry has his brother Charlie to blame for making him a bum. In the cabin, while Charlie is meant to bribe Terry with a job so that he would keep quiet about the deeds of the union, Terry expressed his disappointment in Charlie.
This quote shows that the Cunninghams, while people of character and integrity, are unable to pay for monetary needs with money, but must instead use actions, in the form of favors and gifts. The Ewells, however, are a different beast entirely. They have a reputation for being ne’er-do-wells and bitter. This stems from Bob Ewell, who is horribly suffering from alcoholism and doesn’t very much care for people in general. He will do anything for money, as made apparent by his suing Tom Robinson for rape, simply because he knows he’ll win the case by sheer fact of his race.
It was a reflex, a “survival of the fittest” reaction that Gene did out of anger, fear, and confusion. He is already the “odd one out” and Finny seems to be his only real friend. This secret would destroy Gene’s rekindled friendship with Finny that has reached a happy, placid level. Gene recalls, “I shoved my foot against the rung of his chair and kicked,” (145). He loses himself in his emotions, but he struggles to control himself while “evolving the right way” (125) in order to survive.
“Friar Lawrence, less ambitious and more desperate than his fellow manipulators, does not hope that Juliet’s death will dissolve the families’ hatreds but only that it will give Romeo and chance to come and carry her off” (Snyder). At this point Romeo and Juliet’s relationship could not solve the problems between the families and the Friar was only uniting them. This is what made the Friar so repulsive. Even now after deaths and family issues, He treated the situation like a game. “Hold, daughter, I do spy a kind of hope, / Which craves as desperate an execution / As that is desperate which we would prevent (4.1.69-71).
All of the people in the brave New World believe they are the best they can be which means there is no desire to achieve anything or try harder. This also furthers the gap between real human nature because it is just basic instinct for people to make things better for themselves. When the world controller makes John stay as punishment it’s clear that the world is not a utopia because John hangs himself. By acknowledging the dystopia, Aldous Huxley demonstrates how one man's heaven is another man’s hell. Along with many other possible themes, “A perfect world is unachievable without imperfection” fits quite nicely.
Upon meeting his maker, Tyrell highlights Roy’s perfectness, “You were made as well as I could make you”. This acknowledgement however, is not satisfying as Roy confronts Tyrell with the question of prolonging life. When told, however, that this was not a possibility, Roy’s anger leads him to killing his ‘maker’ feeling unsatisfied and disappointed. The anger he feels towards Tyrell leads him to also murder J.R Sebastian, with no need of justification. Like ‘The Creature’, Roy is angry with his maker, though in Scott’s world, if Tyrell is a representation of God, there is an idea that we can ‘kill God’ represented as Roy kills Tyrell.