Gatsby as a Modernist Novel

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Fitzgerald uses a number of themes and motifs in order to apply modernist techniques to The Great Gatsby. At the time it was written, The Great Gatsby was particularly a Modernist Novel as it was in the era of prohibition, corruption, flappers and a society where people dreamed of freedom, prosperity and sometimes even fame. Materialism inevitably suppressed spirituality as seen in a number of characters in The Great Gatsby, as Fitzgerald uses Nick as the narrator to carefully depict and deliver certain information to the reader at certain times. Fitzgerald uses Nick Carraway as the narrator of the novel, to devise a modernistic approach to The Great Gatsby. We are first introduced to Nick in chapter 1 - the narrator who uses a catalogue of information to unfold a series of events as well as giving us a deep understanding of each of the characters. It is through Nick when we first hear of everything about Gatsby, and this is a technique similar to that used by the British novelist Joseph Conrad – one of Fitzgerald’s literary influences. Nick initially tells us that he is “inclined to reserve all judgements” yet as the novel unfolds we learn that this is not quite true, as he immediately passes judgement on Gatsby, who “represented everything for which I had an unaffected scorn” and this displays Nick as quite an unreliable narrator, enforcing the idea of The Great Gatsby being a modernist novel. There is no organisation with The Great Gatsby, as Nick chooses when and where to feed us information on the characters, and through this Fitzgerald shows that The Great Gatsby is a modernist novel as with many lives, there is no structure, or organisation, as seen in the lives of many of the characters in the novel. This sense of uncertainty with the novel mirrors the uncertainty that Gatsby faces in his life as he chases after a somewhat empty dream of Daisy Buchanan,
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