Femme Fatale Essay

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Femme Fatale Femme Fatale a Warner Brothers production set in Paris France produced by Tarak Ben Ammar, Marina Getter. Executive producer, Mark Lombardo, directed and written by Brian De Palma was indeed a spectacular film to analyze for the mise-en-scene. The all star cast did an excellent job portraying the characters they each were assigned to play, Rebecca Romijn-Stamos (Laure/Lily), Antonio Banderas (Nicolas Bardo), Peter Coyote (Bruce Hewitt Watts), Eriq Ebouaney (Black Tie), Edouard Montoute (Racine), Rie Rasmusssen (Veronica), and Thierry Fremont (Serra). To even begin to analyze such a film or the mise-en-scene, I had to first gain a better understanding of all the elements that are required or that are part of such a scene. As written by Goodykoontz & Jacobs, “mise-en-scene includes all the elements that film has in common with theater-setting, costumes, props, the movement and placement of the actors, and more” (2011). Just in this statement alone we can see the importance of this particular aspect of the film and how it can affect every part of the experience the audience can and will take away from the work of art. With any good recipe it takes quite a few different kinds of ingredients working together to make a very extraordinary product. The same goes for producing a great work of art, the idea may begin with the director/writer, but it is indeed a collaboration of people that work both in front of and behind the scenes to make the film a true success. The director Brian De Palma is responsible for the overall theme or story line of the film, but needs the help of many people to make it into a movie/film. People that include, Camera (color), Thierry Arbogast; editor, Bill Pankow; music, Ryuichi Sakamoto; production designer, Anne Pritchard; art director, Denis Renault; set decorator, Francoise Benoit-Fresco; costume designer, Olivier

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