Female Character In Shakespeare's Work

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Female Characters in Shakespeare’s comedy and Tragedy Female Character in “The Tempest” The Tempest has only one visible female character in Miranda. Other women, such as Caliban's mother Sycorax, Miranda's mother, and Alonso's daughter Claribel, are only mentioned. Because of the small role women play in the story in comparison to other Shakespeare plays, The Tempest has not attracted much feminist criticism. Miranda is typically viewed as being completely deprived of freedom by her father. Her only duty in his eyes is to remain chaste. Ann Thompson argues that Miranda, in a manner typical of women in a colonial atmosphere, has completely internalized the patriarchal order of things, thinking of herself as a subordinate to her father. The less-prominent women of the play are subordinated as well, as they are only described through the men of the play. Most of what is said about Sycorax, for example, is said by Prospero. Further, Stephen Orgel notes that Prospero has never met Sycorax—all he learned about her he learned from Ariel. According to Orgel, Prospero's suspicion of women makes him an unreliable source of information. Orgel suggests that he is skeptical of female virtue in general, citing his ambiguous remark about his wife's fidelity. Female Character in “Macbeth” Lady Macbeth is a character in Shakespeare's Macbeth (c.1603-1607). She is the wife to the play's antagonist, Macbeth, a Scottish nobleman. After goading him into committing regicide, she becomes Queen of Scotland, and later suffers pangs of guilt for her part in the crime. She dies off-stage in the last act, an apparent suicide. Her name and age are never disclosed, and, although she mentions early in the play to having suckled and loved an infant, her child is never seen nor referenced again. The character's origins lie in the accounts of Kings Duff and Duncan in Holinshed's
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