Since he obeyed and enforced British law he was rewarded by the English government with higher titles (Hollitz 57). Adams on the other had opposed English rule, and how they were taxing the colonist without consent of the people (Hollitz 54). Adams said in “Instructions of the Town of Braintree to the Representative” that the Acts the British Parliament laid upon the colonies were “restricting, and burdening and embarrassing our trade” (qtd in
Before Act3 Scene 2 Mark Anthony seems like a bit of a coward and Caesar’s puppet, he lacks confidence as he seems to always agree with Caesar and gives the impression that he doesn’t take life seriously, loves partying and envoy’s the company of women. Not something a brave roman would do in those days. This could have been an act for it most certainly saved his life as Cassius would have had him killed with Caesar but for Brutus who underestimated him and refers to him “he can do….head is off”, (Act,2,sc1,.182:183) where Brutus believes Anthony to be useless without Caesar. Anthony proves to be very clever in the moments after Caesars death and very sneakily convinces the conspirators
Perry the council leader – you could say the anonymous artist worst opponent. He is a man whom nears great respect from his cooperative society. His respect is though on a downfall due to Perry’s greediness. Therefore he starts a companionship with Rossiter the chief architect trying to lure the anonymous in a trap – and by doing that he will without doubt get a huge wave of media attention around his catch and his personality – which could lead to a reelection. The similarity of the anonymous artist and Jesus is pretty interesting.
Benevolent Actions Turned Calamitous In Shakespeare’s Much Ado about Nothing, Don Pedro’s seemingly generous gestures all end in disastrous fashion for himself. In this classic play of young love and misfortune, Don Pedro, also referred to as “the Prince,” is the noblest character in the social pecking order of the play. Even one his friends, Benedick, though equal in wit, always defers to him and his beliefs because his position depends upon his favor. Don Pedro is the highly trusted individual among the other characters in the story. Don Pedro has power and he is well aware of it; whether or not he takes advantage of this power is up for debate.
Othello then sees and claims Iago to be ‘honest’ throughout the play and believing all the lies that is told to him. This shows that Othello was not responsible for the bulk of the tragedy but being very gullible and not thinking twice for his actions towards his surroundings and helping Iago’s plan for revenge. Quoted by Iago in Act 3 Scene 3, “Men should be what they seem”, gives the irony of illusion and reality. There is an extensive jealousy with Othello and thinking Desdemona is having an affair with Cassio using the napkin Othello gave to Desdemona as the symbol between them, building a chaotic wrath inside
Peter shows how he hates work, so the key to his happiness is just not going. Although he Peter was all for his own happiness, Milton began to think in a similar further into the film. This caused the two characters to butt heads. Milton told Peter he would not turn down his radio volume, basically just because it made him happy. A line from Self Reliance by Emerson tells that “their rage is decorous and prudent, for they are timid, as being vulnerable themselves.” Milton’s lack of timidity helped him gain his personal happiness therefore exemplifying transcendentalism.
Although his actions are very insane, they can be seen as rational to reader considering hedonism. Devotion to pleasure, hedonism, makes Dorian be deceitful about his true self by deflecting the attention of the public from the mad man to the beautiful and intelligent gentlemen. Dorian is, young, sensitive, and emotional, meaning that he is susceptible to manipulation. Lord Henry takes advantage of that opportunity and gives Dorian the yellow book; this book opens up the world of hedonism and aestheticism which eventually turns his young life into an eternal oblivion of misery. Dorian develops a fear of aging so he tries to live his life as if it was his last day on earth.
It also belongs to the common man—in this case the “low man,” as in Willy Loman. Willy’s tragic flaw stems from the fact that he has misinterpreted the American Dream, the belief that one can rise from rags to riches. For Willy, the success of that dream hinges on appearance rather than on substance, on wearing a white collar rather than a blue one. It is this snobbery, combined with a lack of practical knowledge, that leads to his downfall. Indeed, much of the lasting popularity of Death of a Salesman both in the world of the theater and in the canon of English literature, lies in its treatment of multiple themes.
In the play ‘Educating Rita’ cruelty and cynicism feature a great deal. One of the main characters, Frank, is cynical. Frank’s personality portrays him as a miserable old man who cannot see the good in anybody, including Rita. For example, Frank thinks that Rita is only trying to change herself because it will look good to others when they meet her rather than seeing that she is really trying to change her life for the better, not for selfish reasons. When Frank is on the phone to Julia he refers to Rita as “some silly woman” and this portrays him to be cynical because even though he has never met Rita he is already making assumptions about her in a negative manner.
Characters like Iago with little pride let their thirst for pride overtake their judgment about what is right. Characters like Othello with a great deal of pride are easily manipulated, because they are so proud. Othello lets pride get the best of him, and this clouds his judgment to such an extent that he ends up murdering his wife because he falsely believes that she has been unfaithful to him and he feels humiliated as a result. Throughout Othello, an ordered structure is placed on this play to convey a sense of order as was required in an Elizabethan context owing to the significance of order, hierarchy and class. This can be seen at the end of the play when there is a need for Othello to be redeemed in the audiences’ eyes hence even Othello as a