Explore the Ways in Which Shakespeare and Marlowe Present Views Concerning Ideal Kingship and Its’ Responsibilities to Elizabethan Audiences

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In Henry V, Henry is portrayed in part as the idealistic Christian King, with all the qualities of piety, mercy and wisdom in abundance- a perfect ruler. However it is also clear that this is not the full side of the story. In many instances Henry is highlighted as an ordinary man, like any other with numerous pitfalls, most noticeably in his violent outbursts, lack of compassion and his shady beginnings. Henry is undoubtedly the most prominent figure within the play and essentially dwarfs all other characters in terms of importance and thus has unparalleled stage time and lines. In Shakespeare’s conjuring of this all encompassing, sober, militaristic character he creates a centrepiece around which the play is set around. As a result of this the audience can easily identify Henry’s character traits in countless situations and thus an evaluation on his adeptness as a King can be made. An obvious measure of Henry’s ability as a King is his Machiavellian skill (ability to adapt to a given situation). This allows him to gain the trust of his people as a wise leader whom they can confidently confide in and trust. His Machiavellian traits are most noticeably revealed in the scene in which Henry sets up the three traitors- Cambridge, Gray and Scroop. Here he takes on the Machiavellian idea that ‘It is double pleasure to deceive the deceiver.’ Just before their unmasking, the traitors bestow Henry with a great encomium of compliments: ‘great sovereign.’ This act demands loyalty from his subjects and demonstrates his astuteness as a leader. However his subsequent brutality could be viewed as unnecessary, a characteristic of an aggressive man rather than a fair minded King. He showcases his brutality by instantaneously having the traitors executed for treason. He quickly adapts an innocent naïve man to the all knowing, infallible King that is not so easily

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