Existentialism in Waiting for Godot

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Waiting for Godot Existentialism, absurdism and nihilism in ‘Waiting for Godot’: Samuel Beckett’s controversial play ‘Waiting for Godot’ broke with traditional dramatic forms by introducing the theme of nothingness and by innovating the techniques of the Theater of the Absurd. Beckett’s break with traditional theater forms appalled some critics and viewers. Beckett’s experimental theater, which combined elements of vaudeville, existentialism, and what was later to be called deconstructionism, was too radical for some. 1. Basic definition of existentialism: According to the Merriam – Webster dictionary, a chiefly 20th century philosophical movement embracing diverse doctrines but centering on analysis of individual existence in an unfathomable universe and the plight of the individual who must assume ultimate responsibility for acts of free will without any certain knowledge of what is right or wrong or good or bad. 2. Existentialism is a philosophy that rejects the idea of religion bringing meaning to life and supports the idea of individuals being solely responsible of their lives. It suggests that humanity in general is wasting their time believing in a higher power that might or might not be there and that it must stop waiting for miracles or salvation and work towards personal goals. Vladimir: ‘Habit is a great deadener’ (85) * The main themes that are conveyed throughout the play are despair, absurdity, boredom and alienation * Vladimir and Estragon represent all of humanity. Vladimir: ‘all mankind is us’ * They are not even sure that Godot will come, or if they are waiting at the right place: Estragon: ‘Let’s go’ Vladimir: ‘We can’t, we’re waiting for Godot’ (7) OR ‘He didn’t say for sure he’d come’ (8) * Repetitiveness in Waiting for Godot: Even the act of waiting becomes repetitive and cyclical. * This constant waiting
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