Essay Wordsworth Coleridge Lyrical Ballads Active Passive Imagination

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The critic Bruce Lawder notes that Coleridge strenuously opposed what Wordsworth in “Expostulation and Reply” called a “wise passiveness.” Instead, Coleridge insisted on the important role the Imagination plays in perception. In “Dejection, An Ode,” for example, Coleridge famously wrote, “I may not hope from outward forms to win the passion and the life whose fountains are within.” Choose two poems from Lyrical Ballads and discuss the role of the Imagination presented therein. To what extent is the Imagination an active or passive force (or something in between)? William Wordsworth and Samuel Taylor Coleridge were both ardent believers in the power of the imagination and venerable exponents of conveying this passion for imagination in their works of poetry. In the collection of poems titled ‘Lyrical Ballads’ by the two poets, a fascinating exposition of multi-faceted forms of imagination can be discerned. These forms include either a passive force: where an active force outside our minds can do the work of impressing sensations or intimations of the natural world while the mind is passive; another variation also being the reliance on memory to bring imaginative thoughts to the fore. The active force of the imagination meanwhile includes the mind fervently journeying to great heights usually in the presence of nature, leading to deep reflections, internalizations and realizations. Wordsworth’s poem ‘Lines Written a Few Miles Above Tintern Abbey’ is a vivid exhibition of the faculty of imagination being displayed in a splendour of arrays. This can be observed in the very first few lines of the first stanza, where the “wild secluded scene impress thoughts of more deep seclusion; and connect the landscape with the quiet of the sky”. These lines are a stirring

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