In what ways is your appreciation of both texts enhanced by a comparative study of ambition on Frankenstein and Blade runner? Mary Shelley's Frankenstein and Ridley Scott's Bladerunner both project dystopian images of society and morality, propelled by the main characters' ambition and egotism. It is through this that an audience’s appreciation for texts is enhanced. These complex texts can be seen as a pair that differs in context, seeing as they are separated through time. Frankenstein driven by romantic imagery and set in historic context, that analysis the European divide in society perpetuated by superficiality.
Shaped by their distinctly different contexts, Shelley and Scott strive to convey this notion, through bold cinematic and literary techniques, characterisation and themes, of the fatal path humanity has placed itself on. Mary Shelley’s seminal novel, Frankenstein 1818, is a moral fable combining conflicting paradigms of Romantic idealism and Enlightenment rationalism. Shelley delves into these ideologies in a classic gothic horror story that presents the unequivocal issues concerning the ethics and consequences of the pursuit of knowledge and scientific experimentation. Influenced by the increasing popularity of galvanism, Shelley effectively illustrates her apprehensions through the character development of Victor Frankenstein and his juxtaposition against nature. Victor admits his deep desire for ‘immortally and power’ through ‘penetrating the secrets of nature’, which is manifested in his technological innovation of the creature, highlighting the extreme yet realistic potential for technology to create human life.
The setting is very important in the elaboration of this specific fictional text. The time and space we are dealing with are much relevant for creating the perfect background for a heroine like Jane to live in. Culturally speaking, Gothic novels were in evidence at the late 18th and early 19th centuries. It involved a lot of stereotypes, fantastic elements, and melodrama. Yet, although some critics define Jane Eyre as a Gothic piece of literature, it is true that it ruptured several aspects to create something quite new, including characterization points that will be discussed further.
Allusions: Deepening the Reader’s Thoughts An allusion is a rhetorical device that makes a reference to a literary work that is outside the text being read. Mary Shelley's novel Frankenstein provides many examples of literary devices, including allusions. Allusions are also used to further explain things that normally would have insufficient information in the text itself. Whether it's another novel, poem, or myth, Shelley’s utilization of allusions relates the characters in Frankenstein to the characters in the referenced works, deepening the reader's understanding. The complete title of Shelley's unique book is Frankenstein: Or, The Modern Prometheus.
Both of these writers might seem like they had different ideas, but they both elaborated on new methods that makes one’s work modernistic, making the future bright for their descendants and followers. When reading “Modern Fiction,” I noticed that Woolf explains her way of defining ways to create a good fiction modernistically while she points out what makes a bad fictional writing as well. Being one of England’s famous authors of her time period, between World War I and World War II (Encyclopedia of World Biography. 2nd ed. Vol.
Poe as a Dark Romantic Edgar Allan Poe is viewed as one of the most known American writers. He is also classified as one of the few Romantic authors who became known in the United States. However, some suggest that his style derives more from the Gothic, whereas other point that he clearly satirises the Transcendentalist movement. Others still, perceive Poe as a writer that managed to cross the border of Romanticism and see in his works a significant example of the Dark Romanticism genre. In his stories, Poe clearly uses a variety of themes and literary devices that let us observe him as a Dark Romantic, rather than a Romantic.
Consequently, the young heroine finds herself involved in many embarrassing situations throughout the novel. However, as the story goes on, Catherine eventually learns to distinguish between fantasy and reality and between her own wild imaginings and her intuition. Northanger Abbey has long been considered an ironic parody of the Gothic novel, which was very popular in Austen’s time. The purpose of this essay is to explore the elements of the Gothic novel present in Jane Austen’s Northanger Abbey and to analyze the way in which they have been satirized by the author. Jane Austen’s Northanger Abbey: a Gothic Parody The Gothic fiction is a literary genre that combines elements of both horror and romance.
A variety of sources affected the character and development of the Gothic genre. In literature, the fantastical nature of certain Shakespeare plays proved inspirational to the Gothic novelists. Ideas on poetry and aesthetics, particularly those espoused by Richard Hurd and Edmund Burke, were also influential, as were the melancholic musings of the Graveyard school of poets. In painting, the works of Salvatore Rosa, Claude Lorraine and Nicolas Poussin helped to define the topography of the Gothic story. The Castle of Otranto - The Original Gothic Novel Horace Walpole's The Castle of Otranto is generally regarded as the first Gothic novel.
With his tale of corrupt patriarchy filled with mystery, romance, and tragedy, Horace Walpole bridged the gap between the wantonly romantic and the excessively realistic (Scott 11); filling the space with dark settings, stark characters and tangled narratives. It was the sum of all these parts that became the formula that is still followed today by writers of the genre. This essay will outline various elements of the typical gothic novel, and the way in which they are associated with excess in the themes, characterisation, and style of writing. In doing so, the differences in the techniques used in Walpole’s novel Castle of Otranto, and M.R James’s short story Oh, Whistle, and I’ll Come to You, My Lad, will be identified and discussed. The primary objective of Gothic novelists is to rouse the reader into eliciting emotional responses such as shock or fear (Hume 284).
Gothic horror was a popular genre in the late 19th century that was defined by specific literary tropes. This particular genre focused on the supernatural and fictional monsters to entertain readers by appealing to their natural fears. During this period many authors took their place in literary history by creating unique stories that combined both romanticism and science fiction. Gothic fiction was published as short stories, novels, novellas or poetry and continues to excite audiences and readers in the 21st century. Two significant gothic works include Bram Stoker’s infamous story Dracula and Christabel a long narrative poem by Samuel Taylor Coleridge’s.