East West in White Castle

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East-West Encounter in Orhan Pamuk’s The White Castle by Dr. N.S.R. Ayengar • • Criticism • Issue 15 • 06.01.2008 I Orhan Pamuk’s novel The White Castle has provoked mixed responses ranging from extreme revulsion to excessive adulation. Some have debunked it as extremely boring, dull, flat, and an infelicitous drudgery, while others have praised it sky-high, comparing its author with Calvino, Borges, Eco, and Marquez. Detraction and deification of this kind help only to obscure the pith and core of the novel’s humanistic import. In spite of such criticism, Pamuk’s literary greatness remains unquestionable—the Nobel Literature Award of 2006 proves it. The ground swell of such reaction symptomizes, if anything, an a priori assumption, caused not so much by his writings, but by his being a Turk caught in the cross-fire of a political battle of wits between Europe and Turkey. Pamuk’s statement to a Swiss periodical about the Armenian genocide of 1915 (when a million Armenians were killed in Turkey) and the more recent Kurdish genocide in his country (in which thirty-thousand Kurds were massacred), for which Turkey has not officially regretted, stirred vehement protests both from Turkey’s religious conservative camp and the secular establishment. Pamuk had to face a criminal trial in 2005 under the controversial Article 301 for belittling his country and “insulting Turkishness.” Though the case was eventually dropped by the Turkish government to show that they respected the individual’s freedom of speech in a secular democracy, it nonetheless made him a controversial figure. Europe watched these developments in Turkey with bemused interest. In fact, the events that took place in Germany and France between Pamuk’s prosecution and his receiving the Noble Prize lend interesting insight into the uneasy political equation between Europe and Turkey. Shortly after
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