Duccio and Maesta Comparison

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Art 101 Final Essay Duccio, Annunciation of the Death of the Virgin, from the Maesta Altarpiece (Pg. 86) and Leonardo da Vinci, The Last Supper (Pg. 87) are both drawn with one-point linear perspective. However they are different in the aspect of the one-point linear perspective. Duccio’s was painted before linear perspective was fully understood while Leonardo da Vinci’s was painted when linear perspective was understood and the system was successfully employed. Commissioned in 1308, Duccio’s Maesta was altarpiece was huge. Its central panel alone was 7 feet high and 13 ½ feet wide. Duccio had many smaller scenes depicting the life of the Virgin and the Life and Passion of Christ that appeared on both the front and back of the work. One of the smaller panels was the Annunciation of the Death of the Virgin. The size of this piece was 16 3/8 X 21 ¼ in. Leonardo da Vinci’s was painted many years later in 1495-98. It was also a very large piece of artwork at 15 ft. 1 1/8 in. X 28 ft. 10 ½ in. Duccio’s is made with tempera on panel while Leonardo da Vinci is oil and tempera on plaster. Duccio di Buoninsegna was one of the most influential Italian artists of his time. He was born in Siena, Tuscany and worked mostly with pigment and egg tempura. Most of his painting was of religious subject matters. He influenced many other artists of his time. Maesta was one of his biggest masterpieces. Leonardo di Ser Piero da Vinci is considered one of the greatest painters of all time, and the most diversely talented person to have ever lived. Da Vinci was an Italian polymath, having been a scientist, mathematician, engineer, inventor, anatomist, painter, sculptor, architect, botanist, musician, and writer. He was an educated man and studied in the studio of the renowned Florentine painter, Verrocchio. He has often been described as the archetype of the

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