Dual Identity: Multiculturalism Act

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1988 was the year Canada recognized and gave freedoms to all Canadians with the Multiculturalism Act. Prior to 1988, Canada has always been considered a cultural diverse country. The history of this nation was established with the coming together of two nations and embarked the migration and settlement of Canada. With the Multiculturalism Act, Canadians from all ethnicities had the specified right to preserve their culture of origin all awhile sharing in new social experiences and matters of Canada. The Act allowed for the term “Canadian” to be personalized to ones own story, origin and experiences oppose to an enforced definition of “what is to be Canadian”. An important stage was advanced upon the approval of The Multicultural Act that developed the Canadian identity. This directly impacted the nations arts and literature. As reflected in the works of Austin Clarke, Guy Bedard and Dionne Brand; the separation from origin or cultural background to the place of settlement (dual identity) can expose the differences and similarities between what one may identify themselves as (attachments to ones origin or culture) from their “Canadian” experiences. Austin Clarke, “the grand-daddy of African-Canadian literature” (225) established great achievements and popularity through his works exemplifying the issues surrounding dual identities. The matters presented in “A Wedding in Toronto” surround an interracial couple enjoying their wedding party held by a companion. Through the events of the wedding day, the bride’s family and friends was not in attendance; an act against the union that was to take place between a Jewish woman and a “Bajan” man. The brides family’s lack of support and attendance is commented by the Groom’s attendee’s “It’s a shame, a great burning shame that that bastard, Agatha’s father, thinks he is too great and too proud to come and witness

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