Discuss race, nation and religion in James Joyces Ulysses

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Discuss race, nation and religion in James Joyce’s Ulysses The narrative style of Ulysses, free indirect speech creates an array of different narrators within the novel. Given this multiplicity of voices, one Ulysses presents the readers with multiple views on race, nation and religion that exist within the book. An inseparable part of Ireland as a nation is the national religion, in the Wandering Rocks episode the narrator describes the trip of the Catholic priest who is rector at Clowngowes School. Despite the revered social status that the Catholic clergy have in Ireland, one can sense a disenchantment and suspicious treatment in Ulysses that is reminiscent of Stephen Dedalus’ own ‘loss of faith’ in Portrait of the Artist as a Young Man. As such, the portrayal of Father Conmee is an unsettling one. Firstly, the man’s name, Conmee is aurally the same as ‘con me’ which immediately perturbs the reader. The first sentence of this passage seems then somewhat sarcastic: ‘The superior, the very reverend John Conmee’ as if to indicate that despite his ecclesiastical status the man is supercilious. Twice in the section the narrator calls the character Don John, alluding to the villain in Shakespeare’s Much Ado About Nothing who plots to prevent the marriage and happiness of Hero and Claudio – suggesting that Catholicism is a constricting and malevolent aspect of Irish life. The repeated use of ‘Father Conmee’ throughout the section draws attention to both the fact that a Priest is the omnipresent, pillar of the community – his name literally ‘holds up’ the passage, but also presents a religion that is repetitive and boring, perhaps suggesting too that Conmee is enamoured with his own status – he noticeably mixes with other ‘important’ community members such as police constables and the wife of an MP. The Conmee scene also draws upon another aspect of Irish nation,
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