The story of “Julius Caesar” has been portrayed in many different ways since being written by William Shakespeare. The film adaptations of “Julius Caesar” are two more ways of enjoying this classic piece of theater. Both the color version and black and white films provide an interesting perspective on the conspirators and the life and death of Julius Caesar. Each variation is slightly different from the other, and in many ways, certain parts were better captured by one of the films. Some places where the films differed were the assassination scene, and the acting of particular characters.
“Whilst other animators were known for anarchistic and inventive styles, Disney played it safe and followed the traditional narrative style.” Critically discuss this statement by Janet Wasko with reference to three Disney films. Disney feature length films are known worldwide for their representation of a unique and identifiable style. Under the influence of Walt Disney the characteristics within the feature length films are obvious and stereotypical. The films feature a light entertainment style with predictable storylines and formulaic characters as Disney represents specific values and ideologies to its audience. Other animators such as Warner Brothers focused on often extremist versions of the real world; whilst Disney’s plausible impossibility represented the real and identifiable.
Also shown by the poor car mechanic husband of Myrtle being happily married and in love with his woman while the rich Tom comes around to woo his wife away secretly on her desire for a more financially stable and available man in her life. As far as the dialog of the film, all these aspects and facets of the story are interwoven into a mosaic of torment and tragedy while using many of the exact words from the book and implementing language and ideas or opinions out of the characters mouths that seem true to the established backdrop of time during the romantic and insatiable Roaring
Jack is a poor man and Rose is a rich woman who is set to marry a man named Cal who is also rich by force. Jack sees that Rose is not happy with Cal and he tries to free her and the two end up falling inlove after he saves her from wanting to jump off the back of the Titanic. Rose's mother, Ruth, doesn't approve of the two (Jack and Rose) being together, mainly for 2 reasons, 1- Jack is poor, and 2- Cal is set to marry Rose so that they will stay rich. Well, the two try their best to break away from Ruth and Cal, however, the Titanic hits an iceburgh and ends up sinking. Jack has been falsely accused of stealing a very expensive diamond necklace and is handcuffed to a pipe in the bottom of the ship.
He stumbles upon a village and meets the beautiful Kamala. He becomes her pupil and lover, but, in order to become her lover and pupil of love, he had to acquire rich clothes, gifts for her, and money in his purse. So get all these things, he works alongside a wealthy merchant. Siddhartha becomes wealthy, but he is not happy, so he leaves Kamala and his unborn child to find happiness. “I had to sink to the greatest mental depths, to thoughts of suicide, in order to experience grace, to hear Om again (pg.
However, “Nights of Cabiria” has a stricter and more traditional narrative structure, while “La Dolce Vita” is basically a series of short films. The combination of all the scenes is what leads to the complexity of the film’s message. When asked, “What are these films about?” there really is no easy answer because they are about so much. Each
Often their clients are too poor to pay legal fees, but Schlichtmann's firm eats the legal costs itself, hoping for a rich slice of an eventual settlement. Essentially, he's gambling with the firm's money every time he accepts a case. That's why he turns down the delegation of parents who tell about the deaths of their children: He doesn't see enough money in it to justify the risk. (The movie has a hard-boiled discussion of how much various victims are "worth." A white male professional struck down in his prime gives the biggest payoff; a dead child is worth the least of all.)
In the 1920s structured order meant filmmakers followed an unwritten set of rules that determined plots, protagonists and the genre of successful films. Vertov was part of a movement called the Kinoks who challenged original cinematic techniques that the extremely controlled cinema industry followed. The Man with the Movie Camera is a perfect example of a film that has broken free of conventions and challenged the walls of cinema. This essay will analyse the use of editing in creating meaning and how important it is. As well as assessing Vertov’s beliefs and drive to make such a film.
He gets drunk and cheats on his wife Mrs. Kabelo. At first I feel pity for Jonah because his daughter Sara died. And he wasn’t that bad to the family in the beginning. He used to be really nice to Chanda’s mama and always made her laugh which make someone like Chanda like him. But there’s other ways that made me dislike him also; he steals the money that is for his own daughter’s funeral just so he can go to the Shebeen and get drunk, I don’t understand why won’t he just get a job and use his money instead of the families saving.
Albert’s case appears unusually hopeless: he is in love with Allegra Cole (Amber Valletta), a celebrity millionairess who employs his company to advise her on investments. Allegra is totally unaware of Albert’s existence – until Hitch provides the push. Alongside the slow, and less than smooth, progression of his client’s relationship, Hitch has a series of disastrous dates with Sara Melas (Eva Mendes), a tough-nosed gossip columnist who gives him further chances as, although he failed, he ‘did it with flair’. However, Sara wants to discover and expose the legendary ‘date doctor’, so when she realises it’s Hitch, she has choose between continuing a relationship with him or breaking the