Diasporic Plight Essay

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Bharati Mukherjee’s Jasmine: A Critique of Immigration and Diasporic Plight Abstract: This paper examines the process by which Jasmine, in the novel Jasmine (1989), coming from India shows the zeal for absorption in the mainstream American culture. It involves recording and interpreting two individual cultural discourses and conflicts of the First World and the Third World countries. It explores the transitional dilemma of Jasmine in the early 1980s, whose acculturation bids were occasionally thwarted by the complexity of cultural plurality in the adopted land. The correlation of information in this paper explores an identity and the culture, transmitted during the postcolonial Diaspora. Key Words: Culture; Diaspora; Identity; Immigration Diasporic Plight, to some extent, is the result of forced displacement, victimization and alienation. Here, plight means a distressing condition caused by dualities or cultural conflicts between the host country and original country that are faced by an immigrant. The main thrust of immigration lays all emphasis on the cultural life of the host country. The expatriate dwells on his ‘ex’ status, while the immigrant celebrates his present in the new country (Kumar 17). One of the main themes of Diasporic literature is the exploration of sexuality and gender as a form of identity, practice, and cultural discourse or ‘cultural logic’ that has emerged in the context of the transnational movements of concepts, bodies, and imagery (Sinnott 1). As a type of consciousness, ‘Diaspora’ puts greater emphasis on describing a variety of experience, a state of mind and a sense of identity (Vertovec 8). Throughout the novel Jasmine, Mukherjee narrates a variety of experiences through the title character. Its particularity is variously described as being marked by a dual or paradoxical nature. It is constituted negatively by
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