A tragic hero is a person from a story who has two characteristics. Those characteristics are that they must have a tragic flaw and must be doomed from the beginning despite their noble intentions. She is a tragic hero because she has a tragic flaw. Her tragic flaw is her attitude. She also a tragic hero because was doomed.
A cause for concern in Tis Pity is that Giovanni’s actions are not condemned. It is presented by Ford to be a “tumultuous passion that brings about his destruction” according to the critic Mark Stavig. His passions are inescapable it seems and so he cannot be held accountable for his drastic actions. Conversely, because of Annabella’s position as a woman, she is consciously aware of her own fate and knows that if their incestuous relationship was to carry on further, harsh repercussions would occur. The Friar tries to dissuade Giovanni from commencing the relationship despite there being little effect from his words.
• The tragic hero should be great, but cannot be perfect. The reader/audience should see themselves in the tragic hero/ine. o Blanche is not a “great” or a “perfect” person. She is far from being a girl scout- at least the version of Blanche we know from the play who is sexually promiscuous, manipulative, and snobbish- not knowing much about Blanch before her arrival to New Orleans, other than the fact that she was a very delicate person. o She does have plenty of flaws as noted above, most of which stem from her insecurity as a person.
“Friar Lawrence, less ambitious and more desperate than his fellow manipulators, does not hope that Juliet’s death will dissolve the families’ hatreds but only that it will give Romeo and chance to come and carry her off” (Snyder). At this point Romeo and Juliet’s relationship could not solve the problems between the families and the Friar was only uniting them. This is what made the Friar so repulsive. Even now after deaths and family issues, He treated the situation like a game. “Hold, daughter, I do spy a kind of hope, / Which craves as desperate an execution / As that is desperate which we would prevent (4.1.69-71).
She will not let this go so she regrettably hides in her dream world. Her fatal flaw will ultimately lead to her downfall when she becomes an alcoholic with nowhere to go to make the polka music go away. Therefore, characters take advantage of her and have sexual relations with her easily. Blanche is a tragic heroine because she has all the factors that make up a tragic hero. Other factors that make Blanche a tragic hero is those tragic heroes are responsible for his/her own fate.
In Jacobean times women were seen as inferior and even in the Victoria era, thus she required external forces to crush her conscience to allow her to fulfil her ambition. Yet she is afraid her feminine qualities will prevent her from achieving the murder of King Duncan. Which would gradually lead to her mental breakdown. Regicide was considered a mortal sin in Jacobean times, one God couldn't forgive. Whereas Browning’s protagonist in The Laboratory sustains her feminine qualities this is reflected in the line “The colours too grim” in which she is referring to her dislike of the colour of poison and that it needs to be 'brightened' up in order to convince her victim to drink it.
When Lancelot is going to see the Lady of Shallot, she knows she is stepping into dangerous waters, but still goes along with it. Her image of herself turns so bad, that the basically kills herself and unhappy and lonely woman. After she is dead, Lancelot sees her and only says that “She has a lovely face,” demonstrating that he only cared about her looks and not really her inner beauty. The Lady of Shallot is a round character because she changes throughout the short story. At the beginning, she believes in herself and who she is as a person, but she is lonely.
The audience is caused to fear Othello's transformation into the ''green-eyed'' monster, then pity him when he claims his title in blood. The most significant flaw that Othello possesses is jealousy, however, he was not moved to it immediately. “She has deceived her father and may thee.” Iago says to him in Act 1, Scene 3. This was an attempt to convince Othello that Desdemona has or could commit adultery since she has already proved to be capable of going against her father's will with their marriage. However, Othello informs Iago that he is not a jealous man.
Bradstreet also shows her insecurity when she says, “Nor can I, like that fluent sweet tongued Greek” (129). Lee Oser believes that she lingered over the Greek’s traditions on natural beauty (194). Although Bradstreet has great dreams, she knows her limits as a woman and is left only to dream. Bradstreet soon becomes depressed and grows angry at her state in society, because of envy and her continuous dreaming. John Winthrop says, “God Almighty hath so disposed of the condition of mankind” (107).
Lauren Franssen English 1302 Haas-5th hour The Unsuspecting Villain In Emily Bronte’s Wuthering Heights, Catherine is self-righteous and manipulative. Her selfish nature ultimately results in the self-destruction of the ones who love her most, as well as her own tragic fate. Essentially, Catherine and her disloyalty to those around her, including herself, defines betrayal and suffering as two major themes in the novel, thus rendering her the villain of the story and accentuating the meaning of the literary work as a whole. Though her selfishness is not of malicious intent, Catherine is fully aware that her actions take a toll on the ones who she claims to devote herself to. She deliberately follows through with her marriage to Edgar Linton, despite her open proclamations of love for Heathcliff, with whom she grows up and loves irrevocably, only to unceremoniously abandon because of his insufficient societal rank.