Descriptive Powers Of John Keats In To Autumn

885 Words4 Pages
Topic: “In ‘Ode to a Nightingale’ and ‘To Autumn’ John Keats descriptive powers are at their height.” Demonstrate the truth of this statement by referring closely to ‘To Autumn’ or any three stanzas in ‘Ode to a Nightingale’. In the poem ‘To Autumn’ a simple reading would suggest that John Keats about a typical day of this season, describing all kind of colourful and detailed images. But a complex reading would show that his descriptive powers are at their height. John Keats uses many literary techniques to get these descriptive powers at their height but the way he used his wording, language and imagery is incredible. Keats wording is the first way he demonstrates the truth of this statement. Drows'd with the fume of poppies, while thy hook/ Spares the next swath and all its twined flowers.' 'Drows'd' and 'swath' both include long, slow vowels which serve to slow the rhythm and pace of the poem and force the reader to dwell on each word, lingering on the poem as the unseen characters linger at their work. The concept of 'twined flowers' conjures up the image of damp, heady overgrowth where the wildlife escapes the heat of the day and even the insects are still. 'Or by a cyder-press, with patient look,/ Thou watchest the last oozings hours by hours.' The slow vowels in 'oozings' and 'cyder-press', coupled with the 'patient look' and 'watchest' make the time seem indeed like hours on end. The whole stanza is designed to create the sensation of a lazy, warm afternoon, rich in stimulation for all the senses, made all the more precious by the knowledge that the chill of winter is not far away. The overall image of Autumn so far is one extolling the great beauty and bounty of this particular season. Keats' deep respect for nature runs throughout the poem: the idea that nature 'blesses' us with her gifts shows the poet's understanding of the dependence of all living
Open Document