Mike Judge fantasticly highlights the absurdities through his use of characters and blatantly obvious situations of pointless office work. Just as it is completely absurd to have humans cooped up in tiny cubicles all day; it’s likewise just as if not more absurd to expect monkeys to produce Hamlet. Mike Judge is the director I would like to hire because he would highlight the comical lunacy in tasking monkeys to produce Hamlet. Mike Judge was a cartoon director up until his movie Office Space so he has experience with non-human characters.
The Topic I love the focus of Jill's essay. So many essays on an influential person have a tone of hero worship as the writer tells us how wonderful Mom or Dad or dead Grandma or Coach or Uncle Harvey is. Jill, however, focuses on someone who in many ways isn't even likable. Susan Lewis is unreliable, rude, poorly educated, and terrible at running a business. She is, as Jill points out, an unlikely person to choose for an essay on an influential person.
Alex Kershaw is a screenwriter, journalist, and author out of Britain. Kershaw currently resides in Vermont. Alex Kershaw is well known for his journalism skills writing for top newspapers such as the Sunday Times and The Weekend Guardian. He also has been a contributing editor at GQ. As a writer and journalist, Kershaw has composed two biographies, one being Jack London and the other Blood and Champagne: The Life and Times of Robert Capa.
The satiric novel, Catch 22, at some times is outright hilarious, invoking laughter that requires thought. The issues throughout the book begin with frivolity and light-heartedness, but slowly become more and more serious as the novel progresses. One important character, Milo Minderbinder, invokes thoughtful laughter, but at the same time represents much deeper issues within society. Milo is introduced as a down to earth mess hall officer who concocts new recipes. He immediately provides laughter and amusement to the reader with his seemingly absurd operation that he started.
Cannery Row, like Of Mice and Men is a good example of slice of life literature, defined as “literature [that] is realistic writing that offers a realistic portrayal of life” (Flanagan 1). Even more so than the characters found in The Grapes of Wrath and Of Mice and Men, the characters found in Cannery Row strike readers with a startling realness. Like Of Mice and Men, Cannery Row is about connections. Both books are “evocative, beautifully rendered portraits of ‘outsiders’ struggling to understand their own unique places in the world” (Stephan 1). But unlike Of Mice and Men, Cannery Row shows a community dynamic verses the dynamic of select individuals or a small group.
Because people are making fun of his nose he is able to provide witty humor that makes the book become a comedy. Valvert says “Ah…your nose…hem!...Your nose is…rather large!” “Rather” “Oh well” “Is that all” “Well of course.”(35-36 Act 1) But Cyrano does not leave it like this he replies by insulting Valvert and ultimately making him angry by telling him all the better insults that he could have had. He threw it right back in his face by making it a joke. Throughout the story comedy like this occurs and that is why I believe it is a
Where as all the nosey neighbors quickly interfere with phone calls and tea parties, Edward soon becomes a walking celebrity as he dazzles them with his talent on making there gardens, dogs and selves stunning with his hands, his scissorhands. Fame doesn’t change Edward as a person. He remains his self-conscious, loving self and through the blur of change he falls in love with Mrs. Bogg’s beautiful and delicate daughter, Kim (Winona Ryder). ‘Edward Scissorhands’ may have a tale of the original ‘Frankenstein’ but in my mind it has a twist of ‘Beauty and the Beast’. Unfortunately, not everything can go well for to long, Kim’s threatened boyfriend, Jim (Anthony Michael Hall) causes trouble for Edward and a gossiping neighbor goes to far and rumors fly through the roof.
The Panther King, in particular, takes the villain archetype to an admittedly hilarious extreme; threatening his henchmen with duct-tape and literally getting mad over spilled milk. The Professor is a very well developed antagonist and is one of the only characters in the game that consistently made me laugh; what with his thick accent and comedic dialogue. Berri is a very independent and intelligent woman...squirrel...whatever. And finally, we come to Conker himself. He's not your simple classic protagonist, but he is a very well developed character.
The symbolism of the holocaust is engaging as fairy-tales are always considered to have a happy ending but using such a dark topical matter which seems to have no happy outcomes is able to surprise the audience and to keep them reading as the audience is waiting to see the “Happily ever after” (pg. 239). Yolen has used topical/subject matter and intertextuality to great effect to produce a novel which is engaging and intriguing to the
However, Bechdel's clean, distinctive illustration style with its wry observations and amusing details is fun to read and examine, and drew this reader into her story quickly. Indeed, it's regrettable that this review can only include quotations and not excerpts of Bechdel's drawings. Several delightful and revealing images are included, such as her grandmother chasing a "piss-ant," her early identification with Wednesday Addams, the summer of the locusts, her teenaged diary entries, and several aspects of her own adolescent self-discoveries. One cannot help but identify with Bechdel. However, despite the pain and struggle Bechdel has had facing her father's life and death, the book is neither morose nor depressing.