Cultural Imperialism in Kamala Markanday’s Novel ‘the Coffer Dams’

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Cultural Imperialism in Kamala Markanday’s Novel ‘The Coffer Dams’ Usha Vikram Kaushik M.A., PhD Lecturer, V.M.Patel College of Management Studies Ganpat University, Mehsana (Gujarat), India The Coffer Dams shows the effects of the incursions of Western technology into a tribal village in South India. The story, sets in newly independent India, is about the building of a "great dam" across a wild river in the Indian highlands. The chief engineer for this project is an Englishman named Howard Clinton, whose company, Clinton-Mackendrick Inc., won the contract for the construction. He has been working for both English and Indian technicians and a host of Indian workmen. As the story opens, the project has reached a crucial stage at which work on the coffer dams (the two protective dams for the great dam) must be completed before the monsoon begins. The Western forces of modernism have its showdown with the traditional forces when the British Engineering firm, partnered by Clinton and Mac Kendrick, sets out to build a dam across a South Indian River. As Karl Marx had already depicted: “England has to fulfill a double mission in India: one destructive, the other regenerating- the annihilation of the Asiatic society and the laying of the material foundations of Western society in Asia."1 The English engineers came to India with memories of the colonial past and they proceed to build their little England. A small industrial town has been built up on the 'uniform, impenetrable green’ of the hillside. Human beings changing the face of Nature, or the colonizer changing the face of the colonized. The oppressor-victim dichotomy is there; Clinton -wanted to engineer the whole show and pretend to be a great benefactor bringing great changes in a poor country. The dam displaces tribal, tampers with the cycles of nature, floods out forests, irretrievably changes

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