Critically Discuss the Ways in Which Artists and/or Filmmakers Have Represented Utopian and or/or Dystopian Ideas and/ or Technologies

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We have been using utopian back drops as story telling devices for a very long time. One of the first being the garden of eden in the christian bible. A perfect world for humanity to live within. However it seems humanity has a very difficult time imaging a perfect world. With almost every example of paradise comes a very serious repercussion usually due to human nature. In the tale of adam and eve it was curiosity that ruined it for ourselves and disobedience of 'the higher power'. In film, this formula has been used many times with different pit falls for our own nature to stumble into. Sometimes its a government or society attempting to exert control over free thought in order to create a utopian world, other times we blame advancements in technology. In search for a utopian solution we create a dystopia with our need to advance technologically. This method is perhaps most obvious in the Science fiction genre with films as early as Metropolis (1927) leading right up to modern day with films such as WALL-E (2008) In this essay I want to discuss and critically analyse how utopian films don't truly exist and that any form of a perfect society seems to be inconceivable to film-makers without some form of dystopian conflict or moral issue. The word 'Utopia' itself proves this point as it comes from the greek term 'no place' showing that the man who originally devised the idea of a utopian society, Sir Thomas More in a book he published all the way back in 1516 is only a philosophical idea rather than something humanity could achieve. I want to explore how cinema is representing our moral pitfall. What are these films trying to say about human natural? In order to do this I think it is important to identify and separate the different categories of utopian/dystopian films that are out there. There are definite sub genres to this subject. I think the first and most
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