Contextual Analysis of the Walking Dead

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Ruben Villanueva COM 408 Dr. Conely Context Analysis Paper Television programming has been a medium that has dominated the world of entertainment for quite some time. As with the evolution of this type of media, television shows have also evolved in the way that push the boundaries of contemporary story telling to a revolutionary level. True while there are still shows that air with similar plot lines and forgettable characters and patterns, a very few stand out that go the extra mile to create a fictional world never experienced before. One such show that has gambled with such admiration and uncertainty is The Walking Dead. The show premiered on October 31, 2010 on the network AMC (American Classic Movies). It instantly became a commercial and critical hit with audiences and critics alike, gaining widespread popularity and a massive amount of followers. The Walking Dead accomplished what the majority of television shows fail to do; engage the audience and make us care about the characters portrayed. The bulk of television is made up of Reality TV, which is highly impersonal and often times fabricated to create a sense of drama and urgency. This wherein lies the inception of The Walking Dead. As stated before, Reality TV is very shallow in the realm of story telling because these type of shows try to present a false sense of “reality” by making up plot-lines with the show’s “stars” to make the subject matter interesting. Reality TV is highly impersonal, sure we could relate to some of the people that appear on the shows, but we wouldn’t care much about learning more about their background, their history. This is where The Walking Dead shines so brightly and captivate audiences. The story revolves around a group of survivors after a viral outbreak kills a great bulk of the country’s population, reanimating them into “walkers,” ferocious zombies

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