Concerts for a Cause or, Cause We Can

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Davis, H. Louise. (2013). Concerts For A Cause (Or, ‘Cause We Can?). J. Friedman (Ed.) History of Social Protest in Popular Music (pp. 211-224). Routledge. Concerts Can Make a Change Introduction: Live Aid benefit concerts began in 1985 with the aim to raise money and awareness to the 1984-5 famine relief movement in Africa. These concerts for a cause in the Live Aid organizations like others concerts for a cause began because in the 1980s there began to be a decline of participation in grassroots political movements. Thus the idea of popular music came to serve as a medium for raising issues and organizing masses of people to come together. The essay Concerts For A Cause (Or, ‘Cause We Can?) by H. Louise Davis discusses the different Live Aid mega-concerts that happened over the years and the sorts of music at these protest events. 1. Live Aid 1985: The Live Aid benefit concert in 1985 was designed to raise both funds and awareness for sufferers of famine in the Horn of Africa. It collaborated with USA for Africa artists and popular celebrity supporters who introduced the acts. There was a large emphasis on these famous Western singers which somewhat overshadowed the famine relief cause. Although one example of the sort of music at the benefit concert was how David Bowie sung “Rebel, Rebel” and “We Could Be Heros” these songs drove the desire to potential donors as rebellious and/or heroic actors in the fight for famine relief. 2. Live 8: The Live 8 was a spin-off event which happened in July 2005. It was in honor of the twentieth anniversary of Live Aid. It was timed well to coincide with the G8 summit which focused on development and debt in Africa. This time during the concerts for example it wasn’t so much the music that influenced people to donate, but the footage displayed to the audience alongside the music. For example when a band called
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