What was david hockneys life like in America? What technical thinks dose david hockney use? HOW was Hockney influenced by cubism? How was David Hockney influenced by Picasso? How was David Hockney influenced by photography?
Avante – Garde Art Postmodern art is a body of art movements that sought to contradict some aspects of modernism or to have emerged or developed in its aftermath. In general, movements such as Intermedia, Installation art, Conceptual Art and Multimedia, particularly involving video are described as postmodern. There are several characteristics which lend art to being postmodern; these include bricolage, the use of words prominentlay as the central artistic element, collage, simplification, appropriation, performance art, the recycling of past styles and themes in a modern-day context, as well as the break-up of the barrier between fine and high arts and low art and popular culture. ------------------------------------------------- The predominant term for art produced since the 1950s is "contemporary art". Not all art labeled as contemporary art is postmodern, and the broader term encompasses both artists who continue to work in modernist and late modernist traditions, as well as artists who reject postmodernism for other reasons.
However, these artist’s works were far from flat as they challenged the traditionalist’s creation of three dimensions through representation by instead evoking both depth and mood through non-representation. These artists were continuously experimenting with the effects of non-representational paint application. By rejecting the traditional, which was created through observation, and rather finding inspiration by embracing the emotional, the primal, and the inherent subconscious of man, these important artists redefined what art and expression were and are, and opened massively influential doors enabling the evolution of art to proceed in new, bold, and boundless ways. Two of these revolutionary artists were Jackson Pollock (1912-1956) and Mark Rothko (1903-1970). These painters were considered by observers to be a part of the New York School of artists who, in the mid-twentieth century, were severely challenging the foundations of the art world.
Describe how Expressionism is visually and thematically characterized in art history. What does an Expressionistic Artwork mean? What are some of the similar stylistic elements seen in Expressionist artworks that are seen again and again? In your own words refer to the art book Caves to Canvas in the art room to see what is written about the art movement and try and add your own information and interpretation to this movement. The websites mentioned earlier should also assist?
Vietnam helped Americans draw from experience new lessons that drastically reformed the society during the 1960 and 1970s, and called to attention the questioning of beliefs and morals. It demonstrated how war was a threat to economic growth, social stability, and politics, as well as how difficult restoration of such changes
Kim Judd Literature, Arts and the Humanities Competency 112.1.2 Comparison: Dada and Surrealism Western Governor’s University September 9, 2013 Comparison: Dada and Surrealism The creative process is challenged to constantly create new ideas and techniques. Artists form communities which allows them to discuss and compare their thoughts on art and world issues. The resulting art works are like a conversation without words, each new piece a reflection on the works that came before. Art is constantly evolving by this means, thus one movement in art leads to the next, which is how Dada evolved into Surrealism. Dada, 1916-1924 War was always a part of human culture, but with the advent of the machine age, it took on a whole new atrocity.
Stonewall: A Revolution Serving as the battleground for a cultural revolution, the young generation of America in the 60’s and 70’s found themselves challenging the ideas of the conservative government they lived under. What can best be described as a time of discovery and questioning, advances in the civil rights movement as well as the conflicts in Vietnam seemed to divide the nation. Within these events, America saw the rise of another revolution brewing, one that had started long before but continued to get pushed aside: that of equal rights for homosexuals. The Stonewall Riots are often cited as the beginning of the equality movement, however history tells a somewhat different story; a story in which the Stonewall riots are more of a plot twist as opposed to being an opening scene. However, these riots drastically changed the fundamental ideas and goals of the gay rights movement.
Marcel Duchamp was associated with the Dada surrealism movement due to his “anti-art” approach. He sought to fight against art and its meaning which created new roles for people within the artistic world. He did not
Examination of the birth of post-modernism would be incomplete without the discussion of two artists, each uniquely instrumental in tearing down the dogma of formalism set by Clement Greenberg: Robert Rauschenberg and Jasper Johns. These two artists challenged the bedrock of Greenbergian formalism of the 50’s (Abstract Expressionism) and pioneered new art practice which is now recognized as post-modernism. The work of Rauschenberg and Johns was brave and pivotal in shifting the belief about what art was and what art could be. This paper will formally analyze two works, “Bed” by Rauschenberg’s ” with Jasper’s “Target with 4 faces” for the purpose of identifying commonalities and differences. The two works were purposefully chosen for two reasons: external response and the artist’s initial motivation.
The time in cinema history named the Hollywood Renaissance (1967-1975) was a period that reflected in many aspects the turbulent socio-political context of the 1960s. Historically, this was a critical time in American life that generated a cardinal revaluation of some American values and assumptions. Somewhere amidst the "fervid brew of 1960s radicalism and counterculture to the icy paranoia of the post-Watergate period" the moviemaking process took a rapid turn in a direction, different in many respects from that of other periods, which consequently "set the pace" for the movies later being categorized as "The New American Cinema". [1] But is was not only the political factor and its general reflection on the era that led to this artistic renaissance – the abrupt downfall in the movie-going demographic due to series of reasons (I will go into detail with later on) necessitated some new and creative solutions to the economic insecurity of the movie industry. In this essay, I will look upon the nexus of conditions within the American film industry and community that impacted the movies associated with the New Wave period, and specifically director Arthur Penn’s Bonnie and Clyde (1967) starring Faye Dunnaway and Warren Beatty – the movie which was said to have initiated the era of Hollywood Renaissance.