This combination of analytical and synthetic cubism reflects Picasso’s interest in ideas perception and reality in painting. Picasso introduced Analytical Cubism into the art world during 1908 to 1912 as the early phases of cubism. It is recognisable by its use of geometric shapes being abstracted and distorted to show multiple viewpoints which is clearly shown in the artwork “Still Life with a Cane Chair”. Doing this explores reality closer to truth as you visually grasp many angles rather than just one. When we see an object in reality we see every side of it and we mentally create a 3D picture of it in our head so using
Degas was best known as an Impressionist and was a notorious member, if not the strongest supporter of the group. He was outspoken about the need for artist to join together and establish a place for themselves as promoters of a new, existing artistic awareness. Degas planned what is known as the first Impressionist exhibition and planned many of the following shows. He originally called himself a compatriots “realists”, which pointed to their interest in drawing inspiration from their own environments and experiences. The term Impressionist was later adopted later around the time of the third Impressionist exhibition, despite Degas’s disapproval to the name.
Once the analytical side of cubism was well under experimentation new forms began to evolve in which the forms almost became abstract and unrecognisable to the viewer, letters where added and a limited colour palette was continued, this was known as the hermetic cubism. As famous cubist artists Pablo Picasso, George Braque and Juan Gris all began to feel comfortable in these techniques, they decided to experiment with larger facets, adding brighter colours with paper colle and found objects, making their pieces more recognisable to the public, this was called synthetic cubism. Although there were many styles and interpretations during the movement of cubism, all artists and styles had similar aims. There aim was to analyse and deconstruct form, breaking down the object into fundamental shapes from differing angles to capture the essence or inner of the object itself. There were against the academic representations of mimetic art.
In the beginning, they were indeed rivals, and jealous of each other, but towards the end of their lives they became very close friends, and the death of Matisse in 1954, deeply disturbed Picasso. The two were separated by their philosophy and style of painting, but they were united in their approach to modernity and many of their topics. Matisse is known as the father of Fauvism, and Picasso as the father of Cubism, but Picasso also belonged to other movements like surrealism and post-modernism. The work of Matisse is more peaceful with the accent on color and light, while Picasso is found of conflict and has a predilection for form and drawing. Matisse likes round, generous forms, tenderness, and the joy of being alive, while Picasso is aggressive, energetic, a passionate Mediterranean.
Surrealist artists Salvador Dali and Rene Magritte have communicated meaning by using the subjective frame in their artworks. The utilisation of symbolism, contrasting colours, juxtaposition and space help further enhance these messages. Whereas Dali aims to amuse, intrigue and shock the audience, Magritte’s artworks confront the audiences normals views and beliefs. Salvador Dali’s 1931 artwork ‘The Persistence of Memory’ is one of the most famous and iconic Surrealist paintings, combining everyday life and the dreamlike, subconscious world. Dali communicates his message of time and how it is slowing down by using symbolism, juxtaposition and colour.
In Picasso’s painting he uses cubism by showing all sides of the prostitutes at once on a two-dimensional surface. In myartslab it explains how Picasso’s painting uses a wide range of influences such as the Egyptian statuary, Greo-Roman sculptures of women and African sculpture in particular with the mask. This painting however was strongly influenced by Picasso’s African Period which lasted from 1907 to 1909 which is explained in the textbook reading. This painting was the pivotal point of cubism in the art movement and abstract art. In Picasso’s painting of Les Demoiselles d'Avignon you can see how he imposes geometrical symmetries in the women (cubism).
The transition between an early modernist painting and abstract expressionists can be seen by looking at many different artists. In this essay I am going to look at work from Picasso, Gorky and Pollock to shed some light on some paintings and make the transitions more easily understood. Pablo Picasso takes abstract to the extreme in his painting “The Guitar Player”. You can barely see the figure in the artwork. He uses very little color and outlines in black.
Emily Hines Cultural Act 3 Claudia Cabas Pablo Picasso Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Ruiz y Picasso, or otherwise known as just Pablo Picasso was a Spanish painter and was one of the quintessential and most influential artists of the 20th century. He partook in many different types of art. Among these were painting, sculpting, ceramics, print-making, and stage designing. Picasso spent most of his adult life in France where he was greatly influenced by the culture and people of the country. Picasso has many great accomplishments attributed to his name.
He found it to be the ideal place to practice new styles and art forms (“Pablo Picasso Biography”). From that point in his career he began his “Blue Period,” from 1901 to 1904. Depressed and lonely from the death of his close friend, Carlos Casagemas, blues, blacks, and grays dominated his pictures depicting poverty isolation, and anguish. Picasso quickly fell in love with model, Fernande Olivier, and by 1905 he had entered his “Rose Period.” This period was dominated by pinks, beiges, and reds. In 1907, Picasso produced a painting with abstract, distorted, sharp geometric figures.
The first phase, Analytical Cubism was more intellectual than its more decorative second phase, Synthetic Cubism. Analytical Cubism is the first developmental phase of Cubism. The work is difficult to create sometimes the final product is always a pleasure to the eye. Pablo Picasso's Cubism Period - 1909 to 1919 This painting that Pablo Picasso did looks like a man in his house on a chair with a guitar in his hands and music notes next to him. I think he is practicing an instrument with a couple other people.