Comparing the Film Styles of Breathless and Amores Perros.

2407 Words10 Pages
Compare and Contrast the styles of two films, each from a different decade. Breathless 1960 Dir. Jean Luc Godard Amores Perros 2000 Dir. Alejandro Gonzalez Inarittu “This is why I would like to call this new age of cinema the age of the camera-stylo. ” Alexandre Astruc In 1948 Alexandre Astruc wrote an article “The birth of a new Avant-Garde: Le Camera Stylo”, in which he expressed the future of cinema will adopt a more personal touch from the film maker, in that, he/ she will “express his thoughts no matter how abstract they can be“ through cinematic language. This gives directors now the opportunity for them to reflect their own style in the way the film is shot, and it also gives them a chance to express any views or thoughts they may have on society and even on life. This type of film making which conventions are the antitheses to mainstream Hollywood cinema, would be called ‘New Wave Cinema’. In this essay I will compare and contrast the stylistic qualities of these new waves films (narrative structure, cinematography, and editing), made 40 years from each other and see how the director has made the film personal to him and what comment on society is making. Breathless (1960) by Jean Luc Godard is the most revolutionary movie of the French New Wave movement. Its characteristic accomplished everything the New Wave Movement set out to do. Which was rejecting the conventions of classic Hollywood cinema, which was mass-produced and targeted films at the audience’s demand. It began in France around the late 1950’s when some of the revolutionary directors of the French new wave movement worked as critics for a famous French magazine “Cahiers du Cinema”. At this time there was a decline in the amount of people going to the cinema because of the war, the audience was much younger. Film Production companies decided to invest in some new young
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