Compare the Ways in Which Women’s Lives Are Portrayed in ‘the Stepford Wives’ and ‘the Edible Woman’

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Compare the ways in which women’s lives are portrayed in ‘The Stepford Wives’ and ‘The Edible Woman’ ‘The Edible Woman’ and ‘The Stepford Wives’ cover different angles of women’s place in society in the 1970s, from work to marriage to beauty and women’s conflictions about their own roles and desires in society of the time. Ira Levin’s ‘The Stepford Wives’ is a thriller about the Stepford husbands murdering and replacing their wives with perfect housework consumed submissive robots. Whereas ‘The Edible Woman’ is about how the engagement to her partner is destroying her, which sabotages her daily routine and it prohibits her from being able to eat. But despite the books surface differences, can we see the same underlying messages? At the beginning of the ‘The Edible Woman’ it’s clear to the reader that Marian’s husband-to-be, Peter is very dominating, constantly ordering her around, trying to turn her into the ideal woman he wants. He demands to have sex in the bathtub, something Marian submits to but is bothered by, and she wonders what could have inspired him, possibly “one of the murder mysteries he read… wouldn’t that be someone drowned in the bathtub? A woman.” This could suggest to the reader that Peter is a predator, as he “insisted” to have sex in the bathtub, or we could interpret this as a metaphor for Marian drowning the relationship, as she is letting him control her. Towards the climax of the novel, when the couple are lying in bed, Peter balances his ashtray “in the hollow of her bare back” and says, “I could use another drink” which was the indirect way he asks her to get him one, and perhaps this is evidence to the reader that he enjoys manipulating her and being the dominant one. Furthermore, we observe that Peter tries to influence Marian into changing her appearance; “Peter had suggested that she might have something done with her hair” and
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