There is also a circle of speakers around him that start at his ears and gradually get bigger as they come away from him. The background is filled with yellow and red design with one big yellow circle at the top middle of the painting. At the bottom left corner there is scribbles of graffiti and lines of red all along the lower half of the painting. Bruce Bailey made his artwork have a very abstract look by choosing the colours and designs he did, and used it throughout the painting which made his work very unique and interesting. Analysis; Bailey used colour and value elements in his painting.
Does he do other types of art works? In his earlier years Julian had mainly done portraits of well-known people and others generally themed around music. Still seen today Julian also paints murals with acrylic paints, oil paintings, replicas of the works of masters and creates collages. Structural frame/ Artist practice What materials does he use, how does he use them? The only materials used in Julian Beever’s art works are chalk and masking tape.
In both Henri Matisse’s Le Bonheur de Vivre (The Joy of Life) and Vasily Kandinsky’s Sketch I for “Composition VII” the artists use similar techniques/styles in color, but use different techniques when it comes to brushstroke, line, and spacing. Both are outstanding works of art that reflect not only modernism but also the artistic movements that encompass them. They are also more different than alike. Matisse and Kandinsky both use a vibrant color pallet in their paintings, with rich primary colors, and some hints of other rich secondary (and a few tertiary) colors. The colors are used to show different forms and they draw the eye around the paintings.
Ozias Leduc (1864-1955), born in Saint-Hilaire, Quebec, was one of the province’s early and major painters and was best known for his work decorating churches, notably the Notre-Dame-de-la-Présentation church in Shawinigan South. Along with the religious works he executed, he was also a painter of portraits, still lives and landscapes. As well, he was a poet and has illustrated many literary works. In his paintings were beautiful lines combined with poetry to create scenes where ancient and modern elements blend gently . Leduc was self-taught and his work was often associated with symbolism.
Additionally, Lawrence stated that it is meant to capture the rhythm of life in Harlem. This painting has shapes that are triangular and diamond, has different colors such as white, green, black, red and also lavender. Barber shop also has visual rhythm which is “established through the repetition of both shapes and colors.” (Lawrence 162) The line and patterns are put in the painting in such as way that it is balanced, for example, the figure sitting in the chair on the left side has an apron with white color and the patron’s apron on the right side also has a white color and then the figure sitting on the right side has a black
The photograph was made using numerous photos that were edited in Photoshop to create a table of objects. The dark colours, particularly the background create a sense of mystery and gloominess. The accurate textures and shapes of the photograph make the overall picture more realistic and believable. The artwork is a cluttered collection of flora and fauna on a desk. The photograph is a still life representing life, death and travel.
RIWT Task One By Katie Ziegler Impressionism and Post-Impressionism Impressionism developed in the mid to late 19th century in France, and lasted until the early 20th century (Pioch, 2006). Impressionists such as Claude Monet, Edouard Manet, Mary Cassatt, and Pierre Auguste Renoir wanted to focus more on painting the “fleeting effects of nature” through quickly painted works ("Movements > impressionism," ). Instead of being inspired by historical times, Impressionists painted contemporary landscapes and scenes of modern life ("Impressionism & post-impressionism,"). They “rejected the system of state-controlled academics and salons in favor of independent exhibitions” ("Impressionism & post-impressionism,").
Another distinction between the two works is that of the throne. In Cimabue's painting, the throne sits upon a curved platform whereas in Giotto’s painting, there is an addition of a roof above the Madonna's head, as well as the fact that it is sitting on a flat platform. These two differences not only add depth to the painting, but they also cause the figure to appear be closer to the viewer, almost as if it is a three-dimensional artwork. Giotto's Mary is also more firmly attached to the ground, while Cimabue's Mary seems almost as if she is floating in space. Another difference between the two works is that Cimabue painted Mary and the angels with larger fingers and noses and he also used lines to define her clothing.
Abstract expressionism was first used as a term in art in 1919, when an Berlin artist Wassily Kandinsky works was described as abstract, but the real movement of abstract expressionism art didn’t really take off until after World War II, (1950’s), putting New York City, in the center of the art world. Abstract Expressionism began as a combination of emotional intensity and self-expression, and action painting. In 1943, Arshile Gorky (1904-1948) painted “Garden of Sochi. Which is the third in a series of paintings of his childhood memories. Jackson Pollock (1912-1956) used action as a form of abstract expressionism, in which paint is spontaneously splashed, smeared or dribbled on canvas.
While printmaking allows for mass diffusion of these physical impressions converted into vast expressions, sculpture allows for a singular morphing of the space that the cultivated stone may inhabit. The abstract and subtle aspects of drawing and painting are still poignantly embedded within engravings and etchings but unlike pigmentation, printmaking touches different aspects of perception that often cuts through layers of image preference or bias. Monotype is a prime example of printmaking that fuses elements of the two-dimensional methodologies of art. Edgar Degas’s Ballet Master penetrates intrigue and intelligence while drawing upon the ghostlike aberrations that make up the foreground performing artists. Depth and tonal gradations are hallmarks of the printmaking process.