Comparative Analysis of Neoclassical and Romantic Art

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Jacques-Louis David was trained in the classicism favored by the Academy created far more severe style of Neo- Classical. He eventually became a chosen artist of the Revolution and was friends with Robespierre and Marat who were the leaders of the Reign of Terror. Following the Revolution he serves as Napoleon Bonaparte’s official painter. In his painting Oath of the Horatii in Neo-Classical style which occupies a substantial place in his body of work. The painting took its subject from Ancient Greek and Roman history. The painting depicts the three Horatii brothers taking an oath on their swords which their father is holding. David organized the canvas with geometric precision that ancient Greeks and artists of the Italian Renaissance in stark comparison of its vaunted antiquity. He seamlessly divided the linear perspective canvas into a balanced nine part square. The painting is well balanced and shows unity throughout the image with the three brothers on the left side of the canvas, their father with swords in the center, and featured to the right are the brothers’ wives, these elements provide harmony. If you look in the rear of the painting you can see the arches and columns which are indicative of the time period. Jacques –Louis David, Oath of the Horatii, 1784 Oil on Canvas, 10' 10" x 13' 11"Musée du Louvre at Paris Youth, Thomas Cole Canvas, Oil, 1840 Painted by Thomas Cole in 1840, the Voyage of Life series depicts four stages of a man’s life and serves as a Christian allegory set in a Romanticism style. Youth, which is the first in Cole’s series of four paintings, it is asymmetrical while remaining proportional to the canvas. Cole uses earth tone hues for the mountains in comparison to negative space where the mountain sits in the distance against the backdrop of the sky. The young child is guided out of the dark cave. There is harmony
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