Classical and Post-Classical Hollywood Cinema

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Classical and Post-Classical Hollywood Cinema INTRODUCTION During the course of this essay it is my intention to discuss the differences between Classical Hollywood and post-Classical Hollywood. Although these terms refer to theoretical movements of which they are not definitive it is my goal to show that they are applicable in a broad way to a cinema tradition that dominated Hollywood production between 1916 and 1960 and which also pervaded Western Mainstream Cinema (Classical Hollywood or Classic Narrative Cinema) and to the movement and changes that came about following this time period (Post-Classical or New Hollywood). I intend to do this by first analysing and defining aspects of Classical Hollywood and having done that, examining post classical at which time the relationship between them will become evident. It is my intention to reference films from both movements and also published texts relative to the subject matter. In order to illustrate the structures involved I will be writing about the subjects of genre and genre transformation, the representation of gender, postmodernism and the relationship between style, form and content. Classical Hollywood Classical Hollywood is a tradition of methods and structures that were prominent American cinema between 1916 and 1960.Its heritage stems from earlier American cinema Melodrama and to theatrical melodrama before that. Its tradition lives on in mainstream Hollywood to this day. But what is it? Classic na... ... middle of paper ... ... Book,1st ed (BFI, 1990) 4. Susan Hayward Cinema Studies The Key Concepts(, Routledge, 1999) 5. Jill Nelmes (ed) An introduction to film studies 3rd edition (Routeledge, 2003) Filmography TOUCH OF EVIL (Orson Welles, USA, 1958) Dracula (Tod Browning, Universal, US, 1931) Doctor Jekyll and Mr Hyde (Rouben Mamoulian,

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