Choreographic Intent - Ghost Dancers

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In 1981 Christopher Bruce choreographed a dance called ‘Ghost Dance’ about the human rights of people in Chile and all the terrible and tragic things that were happening at the time. (HYPERLINK "http://www.curriculumsupport.education.nsw.gov.au/dance7_10/ghostdances/docs/ghost4.pdf"http://www.curriculumsupport.education.nsw.gov.au/dance7_10/ghostdances/docs/ghost4.pdf 24-08-12) Such as, murders, people being taken away from their families, tortures and many more horrific things. Christopher chose to choreograph the dance, after receiving a letter from a widow Chilean folk singer whose husband had been murdered. He was asked to do a work for the Chilean Human Rights Committee. This inspired Christopher to be more concerned towards the Chilean people; therefore, he constructed this beautiful choreographed piece, to express the horrible past, the suffering of the innocent people. Throughout the dance, all together there are eleven dancers, three Ghost Dancers and eight Folk Dancers. We see the villagers carrying on their everyday lives, most likely knowing that their lives were in danger and the Skeleton like ‘ghosts’. Christopher choreographed the dance using traditional folk movements and traditional folk music. The song used in the dance is called ‘Ojo Azules’ By Incantation. At the beginning of Ghost Dances the Skeleton like ghosts that represent death, and the law, start dancing without any music playing but just to a very faint dripping like sound, which is mostly likely just used to help the dancers keep in time. But really signifies blood dripping. Moving altogether as a trio in synchronized movements, the dance consists of strong angular shaped movements and also curved positions, which are all at a fast pace, with the movements being strong and fierce. In the dance, the three ghost dancers use a lot of actions such as rolling on the floor, jumping,

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