Capote's Characterization in in Cold Blood

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Capote’s Characterization in In Cold Blood “The village of Holcomb stands on the high wheat plains of western Kansas, a lonesome area that other Kansans call ‘out there.’” Truman Capote views Holcomb in In Cold Blood, as these other Kansans do; referred to as ‘out there’ for its unsubstantial presence and anonymousness to the rest of the world. Through the use of figurative language, syntax, and choices in diction, Capote’s view of Holcomb is characterized as a barren town with an anonymous community. Capote furthers his characterization of Holcomb through the use of figurative language. One example of figurative language that’s used can be seen in the first paragraph when he describes the environment of Holcomb’s locale as having ‘hard blue skies and desert-clean air.’ Through this imagery, Capote sets the area of Holcomb as being portrayed as hard. The desert-clean air introduces the idea that there is nothing in Holcomb to taint the desert environment. Capote utilizes a simile in the first paragraph to compare the grain elevators, Capote describes then with: ‘grain elevators rising as gracefully as Greek temples.’ The inclusion of this comparison portrays the grain elevators as being the center of the community as Greek temples were in Greek culture, and also that they tower above all else and can be seen from great distances also for the reason that there is nothing in Holcomb to obstruct the view of them. Again through the use of three similes in the sentence: “Like the waters of the river, like the motorists on the highway, and like the yellow trains streaking down the Santa Fe tracks, drama in the shape of exceptional happenings, had never stopped there,” Capote puts increased emphasis on the idea of Holcomb being a town of little happening. By comparing three unstopping forces to drama, Capote suggests that drama or any substantial event or interest,
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