British Film Making

538 Words3 Pages
British Film Making (1950’s – 1960’s) British film of the 1950’s to 1960’s experienced various changes in themes, style and was a pretty turbulent period of the film making. At the beginning of the 1950’s films were focused on the reassurance of war and made in such way that would make people confident proud of their country, and also rise the Britain’s reputation in the eyes of foreign audiences. An unusual success in this decade The Blue Lamp which was a documentary on life in Britain at the time. The rise in consumerism (measured in the number of households possessing cars, telephones, televisions, washing machines and other domestic appliances) created changes in patterns of cultural behaviour. While the class structure remained, the increased spending power of the masses, especially those under 25 years old, gave rise to, so called, ‘cultural revolution’. The growth of number of those who possessed TV sets declined the number of cinema consumers, and had to create the genres that would attract young people. Moreover, the film industry became more focused on the interest of younger audience which was termed ‘new wave’. That, so called, ‘new wave’ of British film making was different from politicised films, communist escapism and glamour which was a characteristic of the American film making. New themes, such as comedy, horror, sex, violence and later on (in mid 1950’s) Rock’ n’ Roll music were the interest of youth. In the 1950’s Hammer Horror Studios was founded and was, and perhaps still is, one of the most successful studio on the British Isles. So, young people took immediately to the new style of films, but older generations found it disturbing, worrying and too liberal. But, also, the expansion of the music in films ( Rock’ n’ Roll especially) created a whole new meaning of popularity. And the measurement of popularity of some band was seen through
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