Awakening Venus: the Evolution of Beauty in the Female Body

1634 Words7 Pages
‘Beautiful’ is a relative adjective that is based on opinion and taste. Therefore, the idea of beauty changes from person to person, and it also changes from generation to generation. This concept of beauty is influenced by the culture of the time and can translate into works of art, but this can also work the other way around; new works of art thrown into the culture of the time and influencing the concept of beauty. The image of the female body has been used as an instrument to illustrate perfection and ideal beauty for centuries, often using Venus as their subject; the ultimate model of beauty and femininity; but what happens when the instrument takes a life of its own? Beauty is personified in the perceptions of the female body and by comparing chronological insights of Venus through Giorgione’s “Sleeping Venus”, Tiziano’s “Venus of Urbino”, and Edouard Manet’s “Olympia”, a standard of beauty is realized and a change from myth to modernity is observed. In 1510, painted with oil on canvas as a marriage gift for Gerolamo Marcello and Morosina Pisani, Giorgione’s “Sleeping Venus” set the tone for the idealized beauty of women with the seemingly customary image of femininity and a soft innocence. The painting shows a naked woman (presumably Venus) peacefully sleeping on a hill not too far outside of a Venetian village. In this moment, she assumed to be unaware of her audience and therefore, is not self-conscious of exposing her body, only covering her genital area with her hand. The audience, however, is very much aware of the position they are in and the feeling of an intrusion on a private moment can arise; and this particular feeling shouldn’t be considered unusual. As a work that honors the marriage of Marcello and his wife, the idea of Venus sleeping symbolizes the trust and binding of couples, as if in a fantastical otherworldly love. “The status of
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