Antigone believes that without burying her brother he will not have a good after-life. Antigone even goes as far as burying him twice. Antigone is more admirable in that she is not selfish. She cared for her brother so much that she would go through all this trouble to give him a good after-life. She wanted to marry Haimon but sacrificed this to bury her brother.
Ismene’s argument was that “we must remember that by birth we’re women, and, as such, we shouldn’t fight with men.” (Antigone 77-78) Antigone with such a passion of honoring her brother states that no matter what, she will follow through with her mission. She expresses her passion when she states with conviction “I’ll still bury him. It would be fine to die while doing that. I’ll lie there with him, with a man I love, pure and innocent, for all my crime. My honours for the dead must last much longer than for those up here.
She is eager to break the rules of Thebes for her own brother. Issues: Whether Kreon has the power to rule Thebes, both Antigone and Kreon show hubris. Previous History: Kreon does not follow the principles, he acts upon ugly biases. Antigone is headstrong who rather die for what she believes
She is so intent on fulfilling her desires that Medea kills her own brother and manipulates the death of a king during their flight from Colchis. Medea refuses to let anything stand in the way of her selfish aspirations. In contrast, Dido is the loyal Queen of Carthage who never desired to love again after the death of her husband Sychaeus. She is forced to fall in love with the Trojan warrior Aeneas by the divine orchestrations of gods Juno, Venus and Cupid. Though her new found love intoxicates and causes her to forsake the duties of ruling, this is not by her design.
Goneril and Regan pledge their love for their father, while Cordelia refuses to speak and when probed finally states that she cannot “heave her heart into her mouth,” (Act I p.7 96-97) that she loves him exactly as much as a daughter should love her father, and that her sisters wouldn’t have husbands if they loved their father as much as they claim. An enraged Lear disowns Cordelia and splits her share of the kingdom between the remaining two sisters. This is a prime example of the beginning of destruction across familial, personal and social aspects. Lear pits his daughters against one another in a selfish endeavour to boost his own pride, but in doing this he also destroys a very crucial aspect within the monarchy by removing the one daughter who has not saught out to destroy him and the foundation he had built for his kingdom. In disowning Cordelia this breaks the natural order of things because in doing so he has severed the natural bond that a father and daughter share, as well he has personally destructed himself with this decision because he has given up on his favoured daughter.
Throughout the play, conflict of dissimilarity develops between the two protagonists, Antigone and Creon. Antigone, a strong and young individual, is not willing to allow her brother, Polyneices, to be dishonoured in his burial. She believes her brother deserves a proper burial out of loyalty to her family. Creon is shocked by Antigone’s
As Antigone fights against the authority to bury polynecies she comes into conflict with her uncle, Creon. Creon decides that she is to be punished even though she is family. He also gives her a chance to say that it wasn’t her, but she takes pride in the honor of her brother, and pride in the struggle that she went through to stay faithful to her family. This leads to conflict between her and Creon which diminishes their relationship “I intend to give my brother burial. I’ll be glad to die in the attempt,-- if it’s a crime, then it’s a crime that God commands.” This is stated by Antigone and it is showing that she would give her life to stay loyal to her family and to give her unburied brother the proper
She is completely unable to control her feelings for her only love, “I must love a loathed enemy” [I, v, 139]. The way that Shakespeare uses “must” is very interesting because although the households are enemies she must go against her parents will because she loves Romeo. No longer did her parents support her instead she was rejected. When Juliet rebels against marring Paris, “He shall not make me a joyful bride” [III,v,117]. Lord Capulet becomes enraged of this defiant behaviour, “An you be mine, I’ll give you to my friend / an you be not, hang, beg, starve, die in the streets, / For, by my soul, I’ll ne’er acknowledge thee” [III, v, 192-4].
Bradstreet also shows her insecurity when she says, “Nor can I, like that fluent sweet tongued Greek” (129). Lee Oser believes that she lingered over the Greek’s traditions on natural beauty (194). Although Bradstreet has great dreams, she knows her limits as a woman and is left only to dream. Bradstreet soon becomes depressed and grows angry at her state in society, because of envy and her continuous dreaming. John Winthrop says, “God Almighty hath so disposed of the condition of mankind” (107).
His anger stems from his contempt and jealousy against Agamemnon, a commander in the Achaean army, after he claims his prize in war, a woman named Chryseis. Although he has already claimed another woman as his own, Briseis, Achilles refuses to step down until he can obtain both women and restore his honor. Agamemnon's actions insult Achilles, and Chryseis is returned safely to her father only once he gives up Briseis. Achilles prays to his mother Thetis in hopes that she would convince Zeus to punish the Achean army. This is one of many examples of how Achilles, an honorable and feared man, indulges in selfish behaviors because of the power he holds above others and his fear of losing the glory he feels only he deserves.