Analyzing Marquez’s And Camus’ Socially Critical t

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Analyzing socially critical themes in Chronicle of a Death Foretold by Gabriel Garcia Marquez and The Stranger by Albert Camus Word Count: 1469 Cultural and social criticism is a common characteristic of 20th century literature. Conveying critical notions through fiction, allows for artistic amalgamation of the real with the imaginary and of history with fabrication – rendering intertextuality and providing the reader with room for interpretation. Chronicle of a death foretold, a Latin-American blend of literary genres, critiques a culture within which murder is both, tolerated, condemned and arbitrarily judged. The Outsider, a French existential novel of the interwar period examines social bias regarding nonconformists. Despite fundamentally different literary styles, intents and origins, both works reveal postmodern influences adapted to the author’s respective cultures. Chronicle of a Death Foretold by Gabriel Garcia Marquez and The Outsider by Albert Camus, explore concepts of social inequity through equivocal narrative techniques, religious paradoxes and meticulously contrived settings. Rendering unconventionality and intentional inconsistency to the plot, both narratives complement the novels’ socially critical themes. Narrated in first person from 27 years in the future, Chronicle of a Death Foretold compiles civilian testimonials, with personal memories and recollections so as to unveil aspects of a murder which fails to demonstrate legitimacy. Part of this failure stems from the discrepancy in individual recounts of the same occurrence. “Many people coincided in recalling that it was a radiant morning with a se breeze coming in through the banana groves as was to be expected in a fine February of that period. But most agreed that the weather was funereal with a cloudy, low sky […]” (Marquez 4). Although clear in entity, the individual
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