Analysis: Sonnet Lxxiii by William Shakespeare

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Sonnet LXXIII by William Shakespeare is about the passing of time eroding the life of man and nature. This Elizabethan sonnet has three quatrains in which images of decay in nature entangle with finality in human life. The first quatrain evokes the transition from late autumn to early winter giving a feeling of cold reaching the atmosphere. This image represents decay or death in nature. The second quatrain calls to the mind the gradual fading of day, and introduces the concept of rest provided by a personified sleep. The third quatrain represents the demise of a new personified entity: a flame, which is nurtured and extinguished by life and the passing of time. Throughout the sonnet, warm colors, such as yellow, orange and brown, contrast with shades of white, black, or gray; for example, the transition from autumn to winter, the setting sun that is consumed by darkness and, lastly, a dying ember that will never ignite again. This constant change of colors represents loss of vitality, for autumn, twilights, and fire contain vivid hues that are replaced with colors we usually associate with solitude, sadness or death. The will of the poetical voice to relate its present physical state to nature images is a motif. Since the poetical voice needs to establish an empathic relationship with the reader, it tries to explain how desperate its situation is by narrowing the lapse in each of its descriptions. But these images not only reflect how time is running out for the poetical voice, they also cause the visual effect of light being replaced by darkness. This effect is a sign of fatality or hopelessness. The elements mentioned above give the sonnet a melancholic tone. The first quatrain is highly responsible for this since it is has more descriptions that appeal to our senses than the other two. The absence of sweet birds singing and cold reaching the scene are
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