Analysis of Trouillot Passage Silencing the Past

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Analysis of Passage from Trouillot’s Silencing the Past: Power and the Production of History “The knowledge that narrators assume about their audience limits both their use of the archives and the context within which their story finds significance. To contribute to new knowledge and to add new significance, the narrator must both acknowledge and contradict the power embedded in previous understandings. This chapter itself exemplifies the point. My narrative of the Haitian Revolution assumed both a certain way of reading history and the reader’s greater knowledge of French than of Haitian history. Whether or not these assumptions were correct, they reflect a presumption about the unevenness of historical power” (Trouillot 56). I found Trouillot’s entire chapter to be extremely interesting and to comment on phenomena surrounding historical production and work with primary sources and historical archives that I myself have observed in my own research. I specifically identified with this passage where he discusses his own role in the production of new historical knowledge by acknowledging and/or contradicting the historical power already present in already existing and dominant historical documentation/production. In determining who his audience is and assuming the type of knowledge they will possess, Trouillot is playing into the unevenness of historical power. The more of a general historical overview that he feels it necessary to include, the less new knowledge he may be able to contribute. During my research and reporting of my findings in the archives in the Dominican Republic on the discourse surrounding the October 1937 massacre of Haitians ordered by Trujillo, I faced this same dilemma. In order for a North American academic audience to understand the historical significance of my findings, I first had to provide an overview of the history of

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