Analysis of Grotesque Elements in Frankenstein

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4 Analysis of Grotesque elements in Frankenstein It will be proven in further parts of this analysis that Frankenstein or, Modern Prometheus is a novel full of grotesque elements, such as alienation, monstrosity, terror or caricature. Mary Shelley quoted herself in “Author´s Introduction to the standard novels edition” in the third edition of her novel from 1831, that she wanted to write a story “which would speak to the mysterious fears of our nature and awaken thrilling horror – one to make the reader dread to look round, to curdle the blood, and quicken the beating of the heart” (Shelley, 1831, p. 7). Also, as Robert C. Evans claims, breathing life into a dead body is grotesque almost by definition. 4.1 Genesis of Frankenstein Frankenstein or, the Modern Prometheus is one of the best British gothic novels ever written. It was first published in London in 1818 and in that time the author remained anonymous. Name of author appeared just later with the second publication in France in 1821. Mary Shelley was just nineteen when she wrote her best known book. She was a daughter of free thinkers that gave her great literary background; her father was a novelist and publisher William Godwin and her mother an early feminist Mary Wollstonecraft. Mary married British Romantic poet Percy Bysshe Shelley in 1816. The genesis of Shelley´s best known novel is well known today. It goes back to 1816, when Marry and Percy Shelley, who was still in that time married to other women whom he left in England pregnant, left to Switzerland and became the neighbours of their common friend Lord Byron, a poet and a leading figure in the Romantic Movement. With their tradition in reading German ghost stories during stormy evenings, Byron challenged his guests to write one themselves. Marry came with the idea that led to Frankenstein. The first edition, which was published anonymously,
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