The events may be arranged chronologically or nonchronologically and may be factual, fictional, or a blend of the two. (262) Together with narrative, form is another technique often used to narrate so as to attract audiences’ attention. Just as William H. Phillips says: Structure, which some scholars and theorists call form, refers to the parts of a text and their arrangement. In a fictional film, the selection and order of events help viewers comprehend the story and strongly influence how they respond…Fictional structure (characters, goals, and conflicts); some functions of beginnings, middles, endings; combination of different brief stories (plotlines) into a larger, more complex story. (264) Classical narrative form is commonly known as linear narrative which refers to stories told in a single line with logical order and ends with an assured conclusion, usually seen in traditional Hollywood films.
Question: Tips: Question: How can I read a film from different perspectives? TIPS: Reading or interpreting a film is an important skill in English. When you first see the film, the most obvious interpretation will be to read the film literally, as the director wants you to see it. For example you might read it as a story about love or a story about a detective or a story about soldiers at war. However, a film is a created work of art and if you look more deeply into the film, there are many ways you can read it.
File form is the ways that the filmmakers use to show the story scenes and express the concepts that they want to tell. Filmmakers make use of various shots and filming angles to present different film content. For example, when a particular scene’s action has broken down into many shots, the filmmaker can utilize this fragmentation to precisely control what audience see, when they see it, how they see it, how long they see it, and in what order they see it. The film form directly influence the perspectives and points of view of the audiences since the audiences have to follow filmmakers’ shots and angles to watch the movies and understand the stories. And that’s why film form can shape an audience’s experience.
“There are many stories about Mike Sullivan” is the very first sentence used. That piece of dialogue meaning that this film will be about “Mike Sullivan” and an example that shows a narrative possibility. The sound, lighting, prop and motifs are production elements that demonstrate certain aspects and highlights parts of a film. Road to Perdition is quite dark throughout the film to give a certain sense or feeling that things aren’t what they are made out to be. There’s a particular mise on scene near the beginning of the film where the main characters family are at the table.
In critical essays, some of the most important features for the writer to develop are: critical insight (non-obvious ideas or observations that you believe may assist the viewer or reader in “discovering” the films more completely and complexly); originality (putting your own personality and “voice” in your writing); and credibility (your ability to convince the reader that your ideas are sound and interesting). One of the most important things to keep in mind when viewing or considering these films is the question of what you think the director was trying to “say” to the audience with his movie. A movie is usually a visual representation of a narrative story, after all, and if so it should be reasonably coherent and preferably have a “point”
Holden has proven to hint at the idea that he has been a bit too much influenced by movies, which would most likely be a reason why Allie’s death was such a big deal. The movies have had a role in Holden’s life because they made him to believe that the protagonist or the “good” guy always miraculously survives dire situations, which made him believe that Allie would survive somehow through the leukemia. This idea was hinted towards when Holden was talking about how he felt after Maurice had punched him in the gut, Holden said that he was picturing himself going to the elevator, shooting Maurice, smoking a cigarette, and call up Janet to bandage him up. The idea of the “good” guy winning the battle is a very typical movie type of ending, which points to how influenced Holden is by the movies. The very same type of ending was seen when Holden recalled the movie he watched about the Englishman who had lost his memory and his response to it.
constructing a script or play-write of the film itself. Dramaturgy gives the work or the performance a structure. The film ‘En kort film om plankning’ dramaturgical model and content is based on: 1) a teaser (a prelude); 2) the presentation; 3) the turning point; and finally 4) elaboration. First, a teaser is used to catch the attention of the audience and
“The complex rhythms of film resemble those of music and poetry, like poetry in particular, film communicates through imagery metaphor and symbol” (Boggs, Petrie, 2008). There are many ways that motion pictures, which many people consider to be an art form in itself, differ from other storytelling media, such as newspapers, television and radio, because of the uniqueness of it’s communication style. One way is through the constant motion provided in a film, something no other medium provides (Boggs, Petrie, 2008). Film can also address a never-ending list of subjects, such as the worlds created in Tim Burton’s Charlie and the Chocolate Factory and Peter Jackson’s The Lord of the Rings. With the help of special effects, talented actors and staging there is no limit to the story that can be expressed on film.
Bowling for Columbine Reaction Paper Bowling for Columbine is a very controversial movie. Michael Moore tends to lean towards the controversial in his documentaries. The movie touched many sensitive subjects, the main one being Guns and everything related to guns. In this paper I will talk about what I thought about Michael Moore’s actions in the movie, the Columbine shooting, and my personal opinions about gun control. Michael Moore handled the documentary very well.
Film Theory debates the essence of cinematic value and provides conceptual frameworks for understanding a film’s relationship to reality, the other arts, individual viewers, and society at large. In order to successfully approach film criticism it is important to examine several theories. It is important to keep in mind that, “no critical approach can tell us everything about a film but, rather, different approaches can teach us different things about a film” (Luhr, Lehman 80). First and foremost, films are perceived in terms of their narrative structure. When discussing a film, audiences will recall its story line or characters to exemplify what the film was about.