African Drama Essay

1017 Words5 Pages
In studying the history of the European colonisation of Africa one can easily see that this invasive western influence had an enormous impact on African culture and thus the development of African theatre (Schipper, M. 1982). It is the aim of this essay to discuss this colonial impact and indeed how it affected the development of African Drama. This shall be done through the use of specific examples and their surrounding backgrounds. Many social-anthropologists assert the view that theatre and its plays mirror the culture in which they are set (Amankulor, J. 1977). This would imply that theatre reflects habits, skills, arts and the society of a given period or peoples. This follows the theory that all theatre arose from ritual, which has been observed in many cultures around the world, African included. Specifically, pre-colonial African forms of theatre often dramatized myths and legends where there existed a great ritual-religious attitude. The religious class, which customarily was the same as the governing class, laid down the rules guiding performances and decided on the rituals, if any, that should accompany particular performances (Schipper, M. 1982). It was customary to attach specific performances to festivals honouring specific gods or heroes. With the coming of colonisation these ancient forms of theatre were influenced and sometimes even changed by the colonisers to suit their own needs. An example of this could be seen in the colonisation of Nigeria. Christian missionaries realised that the ritual\theatrical forms used by the native Yoruba tribes could be used to access would-be converts (Kunene, D. 2002). Long-established forms of chanting poetry (similar to izibongo in South Africa) were effectively used in the churches, and poetic patterns, until then reserved for the praise of Yoruba deities, were tailored to praise the supposedly more
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