Shakespeare knew his audiences wanted plays about revenge so he wrote them. “During the time of Elizabethan theater, plays about tragedy and revenge were very common and a regular convention seemed to be formed on what aspects should be put into a typical revenge tragedy.” (Literary Articles). He certainly did write his stories for his audiences and it paid off. Especially with, Hamlet. Hamlet is one those plays that was spawned on revenge and thrived on it as
Andrew Davies purposely used that technique to mirror Shakespeare’s thematic technique to create similar effect. I also noticed that the positioning of the character is quite interesting, in every conversation between Jago and Othello, Jago is always the one in higher position. This aims to symbolise Jago’s power, control and manipulation over Othello. This also gives an imagery of Jago being the puppet master who controls everything behind the scene. Shakespeare’s Othello is a tragedy so it is most crucial that the adaptation keeps the important aspects which make the play what it is.
The beginning of the key scene is important because, Hamlet has been summoned by his mother, who is furious with him for events surrounding the play-within-the-play, in which it has been suggested clearly that Hamlet’s father has been murdered by his brother. Hamlet, however, confronts his mother, still unhappy that she is married to his uncle, Claudius. Polonius has been sent to spy on Hamlet on behalf of Claudius. Hamlet kills Polonius, apparently believing it to be Claudius. Old Hamlet’s ghost appears for the second time to remind Hamlet of his mission of revenge for his father’s murder.
More than these, I think Lear is motivated by his idea that he is a good man. One thing that supports is when Kent says “I’ll tell thee thou dost evil,” (Act I, Scene I, Line 175) and Shakespeare writes the king as reacting in a frenzy, going so far as to say “This moment is thy death,” (Act I, Scene I, Line 190). By portraying the king in this way, Shakespeare causes us to judge him as unstable and mental. While his actions thus far have been rash, him reacting in this way, and him banishing his daughter saying, “Here I disclaim all my paternal care, Propinquity and property of blood,” (Act I, Scene I, Lines 117-118). From these thing, it is made clear that Lear is not only rash and insecure but also thoughtless and stupid.
It is, maybe, one of the best-known soliloquies by Hamlet in the play, which produces significant scholarly investment even today. Hamlet is feeling profound agony and distress in light of his father's passing. It appears that he is not able to acknowledge this partition. He would like to live. Considering suicide, he doubts himself rationally in the event that it is legitimized to live with so much agony and anguish or if finishing his own particular life is the best conceivable choice.
He was writing about ideals and ideas that were still developing in the time in which he was living. It was as though Shakespeare could defy stereotypes of the era and address problems that were common and constant throughout society. Also his use of language, the rich and full words, some of which he created himself, are somewhat a measure of his own ability and work together in the creation of a new way of communicating ideas. 4. How did he enrich Elizabethan theatre?
His soliloquies are hugely important to the play, it is where the audience is able to gain insight into Iago’s character and see he is a man of low morals and manipulation. (Shakespeare) (SparksNotes) Shakespeare has more than one purpose of giving Iago's soliloquies. First and foremost it is to expose his internal thoughts to the audience. Iago’s soliloquies show who he is as a character, and they develop him more and more throughout the play. To others Iago is a loyal, honest friend to Othello.
he expresses his sourness against the treachery of his uncle. Critics suggest that the first soliloquy is an outline of the coming tragedy of Hamlet's life. In the second soliloquy, Hamlet appears to be a man of decision. When the Ghost discloses the secrets of King Hamlet's murder, Hamlet decides to take revenge. he puts on a mask of madness to mislead the world.
Furthermore, Shakespeare exhibits how Hamlet chose to devise a plan of acting mad, rather than avenging his father’s death immediately, progressing to his demise. On the other hand, Hamlet questions the appearance of his father: “The spirit that I have seen may be the devil”(II.ii.610,611). Consequently, Shakespeare conveys that Hamlet’s indecisiveness about his father’s murderer necessitates him to procrastinate more, and lead further to his death. However, Hamlet accomplishes the opportunity to murder Claudius, yet believes it is not the right time: “Up, sword, and know thou a more horrid hent”(III.iii.91). In fact, he desires that “...his soul may be damned and black as hell”(III.iii.97).
On page 62, Beatty says, “Don’t let the torrent of melancholy and drear philosophy drown our world.” Using words such as “drear” and “torrent” makes Bradbury’s diction distinguishable from other authors, while also being captivating. Also, his regular use of contradictions to show conflicting emotions is fascinating. For example, in Something Wicked This Way Comes, the father of a protagonist was debating whether or not he should follow his son, thinking to himself. “I’ll go there, thought Charles Halloway, I won’t go there. I like it, he thought, I don’t like it…Charles Halloway saw but chose not to see,” it says on page 41.