A Woman Of No Importance

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Criticisms A Woman of No Importance has been described as the "weakest of the plays Wilde wrote in the Nineties".[1] Many critics note that much of the first act-and-a-half surrounds the witty conversations of members of the upper-classes, the drama only beginning in the second half of the second act with Lord Illingworth and Mrs Arbuthnot finding their pasts catching up with them.[2] Lytton Strachey gave a curious interpretation of the relationship between Lord Illingworth and his new-found son Gerald when Tree put on another production of the play in 1907. In a letter to Duncan Grant he described Lord Illingworth (again played by Tree) as having incestuous homosexual designs on his son.[1] Strachey's interpretation of Tree's performance was probably influenced by Wilde's exposure as a homosexual himself. [edit] Themes Like many of Wilde's plays the main theme is the secrets of the upper-classes: Lord Illingworth discovering that the young man he has employed as a secretary is in fact his illegitimate son, a situation similar to the central plot of Lady Windermere's Fan. Secrets would also affect the characters of The Importance of Being Earnest.[1] In one scene, Lord Illingworth and Mrs. Allonby (whose unseen husband is called Ernest) share the line "All women become like their mothers. That is their tragedy.", "No man does. That is his." Algernon would make the same remark in The Importance of Being Earnest. [edit] Characters of the play Lord Illingworth ( dandy) He is a man of about 45 and a bachelor. He is witty and clever and a practised flirt, who knows how to make himself agreeable to women. He is Mrs. Arbuthnot's former lover and seducer and the father of Gerald Arbuthnot. Also, he has a promising diplomatic career and is shortly to become Ambassador to Vienna. He enjoys the company of Mrs. Allonby, who has a similar witty and amoral outlook to
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