A Stylistic Analysis of Selected Poems in Segun Adekoya’s ‘Here and There’

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A STYLISTIC ANALYSIS OF SELECTED POEMS IN SEGUN ADEKOYA’S ‘HERE AND THERE’ ABSTRACT Traditionally, stylistics is the branch of learning, which is devoted to studying the methods of selecting, and implementing linguistic, extra-linguistic or artistic expressive means. It can equally be defined as a study of the different styles that are present in either a given utterance or a written text or document. The field of Linguistics is believed to have influenced the study of stylistics, in the sense that it (Linguistics) provides objective criteria by which texts will be judged. This study attempts a stylistic analysis of selected poems of Segun Adekoya, got from his anthology titled “Here and There”. The poems are: ‘Divided City’, ‘Divine Poetics’, ‘Nepa Night’, ‘The Rape of a Nation’, ‘In the Gutter’, ‘Under the Bridge’, ‘Vulture Culture’, ‘Another Waste Land’, ‘Big Building Blocks’, ‘A Cross on the Atlantic Columbus Discovered’, ‘November Rain’, ‘Iyowun’, ‘Hurrah for Mouth Organs’, and ‘City Angels’. The study has been conducted within the theoretical framework of M.A.K Halliday’s Systemic Functional Linguistics, with particular reference to his concepts of form, substance and context, on which Leech and Shorts (1981) have based their four levels of language description, such as syntax, semantics, phonology and graphology. Against this background, this study explores the phonological, graphological, lexico-semantic and syntactic features inherent in the selected poems, and then explains how each of the features has been deployed by the poet to project certain stylistic meanings. The study shows that Segun Adekoya uses, in these selected poems, phonological foregrounding, graphological deviation, linguistic parallelism, iconic supplements, paradigmatic and syntagmatic signposts, figurative language, normative syntactic constructions, and a few other rhetorical
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