Diary Entry Artifact 3 Hey Diary, I think I done messed it up. George aint gon let me tend no rabbits. All I did was feel her pretty hair. It was real soft. But she started yellin an screamin at me and I got scairt George would get mad if she was yellin an screamin like that.
From the first line in the book, Miller has made Parris out to be a very forceful, powerful man as he shouts ‘Out of here!’ at Tituba as soon as she enters the room. Your first thoughts of Parris are that he is a very angry man but you soon find out that he has a whole different side to him. He is a very materialistic person, his main priority is himself and many of his parishioners think of him as an extremely greedy and selfish man. This is shown in the very first scene as we see Parris standing over his daughter Betty's sick bed. At first readers are made to feel bad for him but then you quickly realise that Parris is just worried about his reputation.
Step 1: My culture of choice: Over the road trucker My perceptions of over the road truckers: 1. Blunt individuals, mean, intimidating, 2. Predominately men, 3. Lonely, fatigued drivers, rarely at home, cheat on wives 4. Enduring, hardworking, often long hours 5.
He’s more annoying than his auntie. He doesn’t stop crying! And I have to pay for all the things that little garbage needs. I can’t wait til I could get rid of that piece of crap! I told Stella to just give the baby away, but she won’t let me!
In “The Company Man,” Ellen Goodman illustrates her feelings of anger and disgust toward Phil. Phil, in Goodman’s mind, represents Corporate America, working almost double the hours of average Americans. Ellen Goodman conveys her attitude of enmity and distaste towards Phil by including numerical scheme, satire, and irony in her writing. Goodman began aggressively while she dehumanizes Phil and his wife by representing them by their ages. Goodman establishes to be impersonal, letting characters remain nameless and contributing to the unimportance of Phil in work.
stop !!!!! it's soo fuckinggg annoyingg! you weree talkinnggg bad about chloe, it's annnoying, stop denying this shittt. i don't even want anything to do with you anymore chris, go fuck offf. and suck my nuts while your at it, fuck offfffff..' 35 minutes ago · LikeUnlike  Chris Pearson Ok all I did was ask u y u were friends with her but ok go get eaten out by ur but buddy 34 minutes ago · LikeUnlike  Chris Pearson Stop calling Reagan plz 32 minutes ago · LikeUnlike  Chloe Torres chris your such a fucking douchebag, i hatee how your doing this to me and chloe, we were suchhh goood friends at reagans party what up with that ?
Introduction First performed in 1949, A Streetcar Named Desire sprang from Tennessee Williams' personal beliefs, reflecting his society as he saw it. In the 1920's the American dream of democracy, material prosperity and equality for all had fast disappeared with the Great Depression. This economic crisis began with the 1929 Wall Street Crash, and brought unemployment and great poverty to many. The depression passed, but the idea of such a state of perfection was proved to be unrealistic and unattainable. The characters represent the jaded American dream, and the kind of lives, standards and tensions within which the immigrant population found themselves living.
In dark, dreary times it was Miranda, who kept Prospero going, she did “Preserve” him. These words show that Miranda really was of the highest importance to Prospero, the flame of his fire. Miranda appears to be an essential component of Prospero’s life. This dedication and love are brilliant qualities that a good father should have. Conversely, Prospero treats Caliban appallingly, freely insulting him and not realizing Caliban has emotions.
Other than when she leaves the note saying “you are pigs” to get an insight into how fed up she is with the situation. She literally has to remove herself from the home in an effort to force
The great depression and the dust bowl brought a new myth to the 1930’s which was the misconception of self-blame and personal responsibility which evolved from the earlier self-made man myth. “Most Americans were taught to believe that every individual was responsible for his or her own fate, that unemployment and poverty were signs of personal failure” (CD; B, 662). Many men were ashamed and blamed themselves for their loss, some even pretended to still go to work during the day because they were too ashamed to let down their family. (CD; B, 663) Some Americans also blamed the president himself and named their poor crumbling neighborhoods. “Many Americans held the president personally to blame for the crisis and began calling the shantytowns that unemployed people established on the outskirts of cities “Hoovervilles” (B, 676; CD) The 1930’s also show examples of our continuing inequality in America.