A Review on a Performance of Dr Faustus by the Globe Theatre.

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A review on a performance of Dr Faustus by the Globe Theatre. On Wednesday 19th December, I went to the Pheonix Picture House, On Jericho street, Oxford to watch the Globe theatre production of ‘Dr Faustus’, by Christopher Marlowe. The aim of this trip was to see a visual example of the text in hope of linking the story pieces together. It would also give us an understanding of how the original Elizabethan audience would react to this production. The setting of the play was very simplistic. The use of lighting and backdrops was non-existent, and few props were used. Although you may think it must be a cheap, unsuccessful play, it was in actual fact a marvellous and accurate account of the text. Whilst you watched the play unravel, your imagination travelled with the story, and captured what the scene was described as. As, for example when the tone became dark and mysterious, the lighting seemed dimmed to the audience, although the lighting actually never dimmed, but stayed the same throughout the play, your imagination was so focused on the characters powerful performance that the lighting, nor lack of backdrops were problem you. You were drawn into the play, and watching it as if you were there, with Faustus and Mephastophilis, or the Elizabethan audience, watching the original production. The props were used in a cleverly creative manner. In both the serious and comic scenes, different props, big and small were used to amplify the text and actions the actors were carrying out. The Globe’s stage itself was very effective with several trap doors, which were used for entrances and exits of actors and props. The production made good use of the appliances they had available, the trap door was used for the entrance of the 7 deadly sins, which was very affective as it seemed they were coming straight from hell. The trap doors were also used in another comic
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