A Doll's House

849 Words4 Pages
A Doll’s House In Henrick Ibsen’s A Doll’s House, the main relationship we see is Nora Helmer and her husband Torvald Helmer’s. Their relationship is seemingly influenced by their era. When first reading the play, one may suggest that the women in this play are victims of this era. As the plot develops, we see that the relationship is also influenced by Nora’s lies, which suggest she was also a victimizer in her relationship, aside from her era. By the end of this play, we see how Nora’s secret changes the relationship between the couple, as she violates the stereotypical role-play as a wife and mother in her era, which generates her inspirational growth. Nora, the main character, was first introduced as a very sheltered, immature, and optimistic woman. Helmer we see as proud of his male role in society and in the household, father-like towards his wife, and greatly cares for his appearance in others eyes. When speaking to each other, Helmer communicates to Nora as if she was his child instead of his wife. He does this by things such as calling her nicknames with negative characteristics, such as his little lark, spendthrift and featherhead. Both Nora and Torvald, put on a face for the rest of the world and each other. Surprisingly, these choices of façade complimented each other. We gradually see how it isn’t good enough for her, yet hides it anyways through most of the play. In this era, it is expected for a woman to go straight from her father’s hand to her husband’s and the sacrifices it meant. Nora speaks of this in the end of the play, “He played with me just as I used to play with my dolls. And when I came to live with you I was simply transferred from Papa’s hand to yours.” Throughout the play, you can see that Nora looks for more control of her life, for example, when she talks to Helmer about Christine, “She is frightfully anxious to work under some
Open Document